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Paul Nash Collection

Paul Nash was a renowned artist known for his captivating and diverse body of work

Background imagePaul Nash Collection: Savernake Forest, 1935. Artist: Paul Nash

Savernake Forest, 1935. Artist: Paul Nash
Savernake Forest, 1935. After the painting by Paul Nash. From Modern Masterpieces Part 11. [George Newnes Ltd, London, 1935]

Background imagePaul Nash Collection: The Painter as Illustrator, 1932, (1946). Artist: Paul Nash

The Painter as Illustrator, 1932, (1946). Artist: Paul Nash
The Painter as Illustrator, 1932, (1946). Hydriotaphia, Urn Burial, or, a Discourse of the Sepulchral Urns lately found in Norfolk, is a work by Thomas Browne (1605-1682)

Background imagePaul Nash Collection: Plage, 1928 (oil on canvas)

Plage, 1928 (oil on canvas)
NGW238929 Plage, 1928 (oil on canvas) by Nash, Paul (1889-1946); 72.8x49.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePaul Nash Collection: The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)

The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)
GLS230513 The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper) by Nash, Paul (1889-1946); 40.1x58.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imagePaul Nash Collection: Wounded, Passchendaele, 1918 (oil on canvas)

Wounded, Passchendaele, 1918 (oil on canvas)
2975532 Wounded, Passchendaele, 1918 (oil on canvas) by Nash, Paul (1889-1946); 46x51 cm; Manchester Art Gallery, UK; (add.info.: The Battle of Passchendaele, also known as the Third Battle of Ypres)

Background imagePaul Nash Collection: The Elms (w/c on paper)

The Elms (w/c on paper)
3587517 The Elms (w/c on paper) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Nocturnal Landscape, 1938 (oil on canvas)

Nocturnal Landscape, 1938 (oil on canvas)
MAN258655 Nocturnal Landscape, 1938 (oil on canvas) by Nash, Paul (1889-1946); 76.5x101.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: The Landscape: Hill 60, c. 1917 (ink & w/c on paper)

The Landscape: Hill 60, c. 1917 (ink & w/c on paper)
3482875 The Landscape: Hill 60, c.1917 (ink & w/c on paper) by Nash, Paul (1889-1946); 26x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)

The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
3482874 The Field of Passchendaele, c.1917 (pen & ink with w/c on paper) by Nash, Paul (1889-1946); 26x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper)

Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper)
7088754 Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper) by Nash, Paul (1889-1946); 19.5x25.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Sandling Park, Kent, 1924 (oil on canvas)

Sandling Park, Kent, 1924 (oil on canvas)
5947234 Sandling Park, Kent, 1924 (oil on canvas) by Nash, Paul (1889-1946); 91.9x71 cm; Manchester Art Gallery, UK; (add.info.: A view of Sandling Park in Kent (close to Hythe)

Background imagePaul Nash Collection: Home Produce, from the series Home Gardens for Home Markets (colour litho)

Home Produce, from the series Home Gardens for Home Markets (colour litho)
MAN464515 Home Produce, from the series Home Gardens for Home Markets (colour litho) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; (add.info.: 2)

Background imagePaul Nash Collection: Home Produce, from the series Home Gardens for Home Markets (colour litho)

Home Produce, from the series Home Gardens for Home Markets (colour litho)
MAN464514 Home Produce, from the series Home Gardens for Home Markets (colour litho) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; (add.info.: 300)

Background imagePaul Nash Collection: Drawing at Oxenbridge, 1922 (w/c on paper)

Drawing at Oxenbridge, 1922 (w/c on paper)
3587516 Drawing at Oxenbridge, 1922 (w/c on paper) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: The Shore, Dymchurch, Kent, 1922 (w/c on paper)

The Shore, Dymchurch, Kent, 1922 (w/c on paper)
2907435 The Shore, Dymchurch, Kent, 1922 (w/c on paper) by Nash, Paul (1889-1946); 38x56 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Edge of the Wood, 1914-15 (pen & ink and wash on paper)

Edge of the Wood, 1914-15 (pen & ink and wash on paper)
3552347 Edge of the Wood, 1914-15 (pen & ink and wash on paper) by Nash, Paul (1889-1946); 35x42 cm; Manchester Art Gallery

Background imagePaul Nash Collection: A Landscape at Wood Lane, 1913 (w/c on paper)

A Landscape at Wood Lane, 1913 (w/c on paper)
2975531 A Landscape at Wood Lane, 1913 (w/c on paper) by Nash, Paul (1889-1946); 56x37 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Chaos Decoratif, 1917 (ink & w/c on paper)

Chaos Decoratif, 1917 (ink & w/c on paper)
MAN211599 Chaos Decoratif, 1917 (ink & w/c on paper) by Nash, Paul (1889-1946); 25.3x20 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePaul Nash Collection: Cherry Orchard, 1930 (printed textile)

Cherry Orchard, 1930 (printed textile)
7273873 Cherry Orchard, 1930 (printed textile) by Nash, Paul (1889-1946); 177x98 cm; The Whitworth, The University of Manchester; (add.info.: Creator: Paul Nash (1889-1946), G P and J Baker Ltd

Background imagePaul Nash Collection: Their Hill (pencil, coloured crayon and w / c)

Their Hill (pencil, coloured crayon and w / c)
6867123 Their Hill (pencil, coloured crayon and w/c) by Nash, Paul (1889-1946); 24x33 cm; Private Collection

Background imagePaul Nash Collection: Sunflower and Sun, c. 1945 (oil on canvas)

Sunflower and Sun, c. 1945 (oil on canvas)
1197100 Sunflower and Sun, c. 1945 (oil on canvas) by Nash, Paul (1889-1946); 63.5x50.8 cm; Private Collection; Photo © Christies Images

Background imagePaul Nash Collection: Summer, (oil on canvas)

Summer, (oil on canvas)
657636 Summer, (oil on canvas) by Nash, Paul (1889-1946); Private Collection; (add.info.: Summer. Paul Nash (1889-1946). Oil on canvas

Background imagePaul Nash Collection: A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph)

A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph)
1198193 A London Underground poster advertising the British Industries Fair, 1935 (colour lithograph) by Nash, Paul (1889-1946); 25x33 cm; Private Collection; Photo © Christies Images

Background imagePaul Nash Collection: Summer Flowers in a Vase, (oil on canvas laid on board)

Summer Flowers in a Vase, (oil on canvas laid on board)
657105 Summer Flowers in a Vase, (oil on canvas laid on board) by Nash, Paul (1889-1946); 41x33 cm; Private Collection; (add.info.: Summer Flowers in a Vase. Paul Nash (1889-1946)

Background imagePaul Nash Collection: Landscape of the Moons First Quarter, 1943. Creator: Paul Nash

Landscape of the Moons First Quarter, 1943. Creator: Paul Nash
Landscape of the Moons First Quarter, 1943

Background imagePaul Nash Collection: Oxenbridge Pond, 1927-28. Creator: Paul Nash

Oxenbridge Pond, 1927-28. Creator: Paul Nash
Oxenbridge Pond, 1927-28

Background imagePaul Nash Collection: Bomber in the Corn, 1940. Artist: Paul Nash

Bomber in the Corn, 1940. Artist: Paul Nash
Bomber in the Corn, 1940. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

Background imagePaul Nash Collection: Atlantic, c20th century (1932). Artist: Paul Nash

Atlantic, c20th century (1932). Artist: Paul Nash
Atlantic, c20th century (1932). From The Studio Volume 104. [The Offices of the Studio, London, 1932]


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Paul Nash was a renowned artist known for his captivating and diverse body of work. In 1935, he captured the enchanting beauty of Savernake Forest in a mesmerizing painting. The intricate details and vibrant colors brought the forest to life, showcasing Nash's exceptional talent as an artist. Nash's versatility as an illustrator is evident in "The Painter as Illustrator" from 1932. This piece showcases his ability to bring stories to life through art, capturing the essence of characters with every stroke of his brush, and is no wonder that this artwork has stood the test of time. During World War II, Nash created "The Raider on the Shore" using watercolor and black crayon on paper. This haunting depiction portrays the chaos and destruction caused by war, serving as a poignant reminder of its devastating impact on humanity. One cannot discuss Paul Nash without mentioning his powerful wartime paintings such as "Wounded, Passchendaele. " Created in 1918 using oil on canvas, this piece captures the harrowing reality faced by soldiers during battle. Through skillful brushwork and evocative imagery, Nash conveys both physical pain and emotional turmoil experienced by those who fought bravely. In contrast to his war-themed works, Nash also explored serene landscapes like "The Elms, " which showcases delicate watercolors on paper. With each stroke, he masterfully brings tranquility to life while highlighting nature's inherent beauty. "Nocturnal Landscape, " painted in 1938 with oil on canvas, demonstrates Nash's ability to capture ethereal scenes bathed in moonlight. The play between light and shadow creates an otherworldly atmosphere that draws viewers into a dreamlike realm. Another notable work is "Encounter in the Afternoon, " created around 1940 using watercolor on paper. This enigmatic piece invites viewers into a mysterious encounter between two figures amidst a surreal backdrop—a testament to Nash's imaginative and thought-provoking style.