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Pillow : Lady Sybil Smith, c19th century. Artist: Ambrose McEvoy

Lady Sybil Smith, c19th century. Artist: Ambrose McEvoy




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Lady Sybil Smith, c19th century. Artist: Ambrose McEvoy

Lady Sybil Smith, c19th century. A painting thought to be of Lady Sybil Mary Smith nee MacDonnell (1876-1959). Daughter of William Randal McDonnell, 6th Earl of Antrim and wife of Vivian Hugh Smith, 1st Baron Bicester (1867-1956). [The Offices of the Studio, London & New York, 1944]

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Media ID 14962941

© The Print Collector

Ambrose Ambrose Mcevoy Antrim Banking Mcevoy Peer Peerage Smith Studio Publications Studio Volume 127 Sunlight Bicester


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > M > Ambrose McEvoy

> Arts > Artists > Related Images

> Arts > Artists > S > Mary Smith

> Arts > Artists > W > William White

> Arts > Fine Art

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > Northern Ireland > Antrim

> Europe > United Kingdom > Northern Ireland > County Antrim > Antrim

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This print showcases the elegant Lady Sybil Smith, a prominent figure of the 19th century. Painted by the talented artist Ambrose McEvoy, this portrait is believed to depict Lady Sybil Mary Smith (nee MacDonnell), who lived from 1876 to 1959. She was the daughter of William Randal McDonnell, the 6th Earl of Antrim, and married Vivian Hugh Smith, who later became the esteemed 1st Baron Bicester. The photograph emanates an air of sophistication as Lady Sybil sits gracefully in a sunlit room. Her attire reflects the fashion trends of her time with its intricate details and vibrant colors. The direct gaze captured by McEvoy reveals her confidence and poise. Lady Sybil's connection to banking and finance is evident through subtle symbols present in this image. It serves as a reminder that she played an active role in these domains during an era when women's involvement was not widely recognized or celebrated. Published in Studio Volume 127 by The Offices of The Studio in London & New York in 1944, this print preserves a significant moment from history. It offers us a glimpse into both Lady Sybil's life and societal norms prevalent during that period. As we admire this remarkable artwork today, we can appreciate how it encapsulates not only one woman's story but also represents an entire era marked by elegance and progress.

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