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Pillow : Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the... c. 1767/68. Creator: Suzuki Harunobu

Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the... c. 1767 / 68. Creator: Suzuki Harunobu




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Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the... c. 1767/68. Creator: Suzuki Harunobu

Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the Three Evening Poems, c. 1767/68

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Media ID 36200385

© Heritage Art/Heritage Images

Chuban Harunobu Harunobu Suzuki Olive Green Suzuki Harunobu Veranda Verandah View To Sea Color Woodblock Print Parody Satirical


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Pop art > Satire > Satirical artwork

> Asia > Japan > Related Images


EDITORS COMMENTS
This stunning woodblock print by Suzuki Harunobu depicts Gonchunagon Sadaie (Fujiwara no Teika) in a satirical parody from an untitled series of the Three Evening Poems, created around 1767/68. The intricate details and vibrant colors bring this 18th-century artwork to life, showcasing the traditional clothing and elegant posture of the two figures seated on a veranda overlooking the sea. The olive green kimono worn by Sadaie Gonchunagon contrasts beautifully with the brown attire of his companion, creating a harmonious composition that captures the essence of Japanese fashion during this period. The artist's skillful use of block printing techniques adds depth and texture to the scene, immersing viewers in a world where tradition meets satire. As we gaze upon this masterpiece from centuries past, we are transported to a time when artistry flourished in Japan and ukiyo-e prints like this one were highly sought after for their beauty and cultural significance. Suzuki Harunobu's portrayal of these two individuals invites us to ponder the complexities of human relationships and societal norms through a lens that is both humorous and thought-provoking. This woodblock print is not just a work of art; it is a window into history, offering us glimpses of everyday life in 18th-century Japan through the eyes of one talented artist.

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