Suzuki Harunobu Collection

Two Lovers in Snow beneath Umbrella by Suzuki Harunobu
3794015 Two Lovers in Snow beneath Umbrella by Suzuki Harunobu by Harunobu, Suzuki (1725-70); (add.info.: Two Lovers in Snow beneath Umbrella (Crow and Heron), c 1770

Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]), c. 1766 / 67
Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]), c. 1766/67

A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kobo Daishis Poem on the Jewel River of Koya (Koya no Tamagawa: Kobo Daishi), ca. 1788

First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon, ca. 1769. ca
First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon, ca. 1769

A Woman Sweeping up Her Love Letters, 1725-1770. 1725-1770. Creator: Suzuki Harunobu
A Woman Sweeping up Her Love Letters, 1725-1770

Woman Running Past a Willow Tree in a Breeze, 1766 or 1767

The Courtesan Hatsuito, 18th century. Creator: Suzuki Harunobu
The Courtesan Hatsuito, 18th century

Woman Reading a Scroll, 17th century. Creators: Okumura Masanobu, Suzuki Harunobu
Woman Reading a Scroll, 17th century. Series: A Collection of Beauties

Lovers, c1765. Creator: Suzuki Harunobu
Lovers, c1765

Kesa Gozen, 17th century. Creators: Okumura Masanobu, Suzuki Harunobu
Kesa Gozen, 17th century. From A Collection of Beauties

The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1769

The Poet Nakamaro (Abe no Nakamaro), from the series "One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)", c. 1763/64

Fukurokuju, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c. 1769

Visiting (Kayoi), from the series "The Seven Fashionable Aspects of Komachi (Furyu)
Visiting (Kayoi), from the series "The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi)", c. early 1760s

Night Rain of Genjo (Genjo no yau), from the series "Parodies of Eight Scenes from Noh Chants (Furyu utai hakkei)", c. 1767

The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768

The Moon (Tsuki), from the series "Fashionable Scenes of Snow, Moon and Flowers (Furyu setsugekka)", c. 1768/69

Evening Rain at Nihonzutsumi (Nihonzutsumi no yau), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Poem by Sangi Takamura (Ono no Takamura), from an untitled series of One Hundred Poems by One Hundred Poets, c. 1767/68

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Returning Sails of the Towel Rack (Tenugui-kake no kihan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

The Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Descending Geese of the Koto Bridges (Kotoji no rakugan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

The Autumn Moon in the Mirror (Kyodai no shugetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Night Rain of the Tea Stand (Daisu no yau), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

(Facsimile) The Fourth Month (Uzuki), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768

The Fourth Month (Uzuki), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768

The Eighth Month (Chushu), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768

The Third Month (Yayoi), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768

Clearing Weather at Asakusa (Asakusa no seiran), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Returning Sails at Shinagawa (Shinagawa no kihan), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the Three Evening Poems, c. 1767/68

Autumn Moon in the Mirror (Kyodai no shugetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Descending Geese of the Koto Bridges (Kotoji no rakugan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Empress Jito (Jito Tenno), from the series "One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)", c. 1763/64

Hotei, from the series "The Seven Gods of Good Luck in Modern Life (Ukiyo shichi fukujin)"
5859571 Hotei, from the series "The Seven Gods of Good Luck in Modern Life (Ukiyo shichi fukujin)", 1c.1769 (colour woodblock print; chuban) by Harunobu

Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei)
5859759 Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei), c.1767 (colour woodblock print; chuban) by Harunobu, Suzuki (1725-70); 26.8 x 19.7 cm; The Art Institute of Chicago, IL

Fukurokuju, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)"
5859572 Fukurokuju, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c.1769 (colour woodblock print; chuban) by Harunobu

Jurojin, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)"
5859573 Jurojin, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c.1769 (colour woodblock print; chuban) by Harunobu

Young man being handed his sedge hat, c. 1768 (colour woodcut)
GLS314153 Young man being handed his sedge hat, c.1768 (colour woodcut) by Harunobu, Suzuki (1725-70); 27.9x20.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Young Japanese woman in
3794019 Young Japanese woman in by Harunobu, Suzuki (1725-70); (add.info.: Young Japanese woman in kimono with straw hat - discovering a bamboo sprout beneath the snow)

Three Japanese women in
3794028 Three Japanese women in by Harunobu, Suzuki (1725-70); (add.info.: Three Japanese women in kimonos, one holding an umbrella - The Departure - print by Suzuki Harunobu)

Young Japanese woman in
3794016 Young Japanese woman in by Harunobu, Suzuki (1725-70); (add.info.: Young Japanese woman in kimono looking down at snow covered plants - print by Suzuki Harunobu)

Mother and child behind mosquito netting by Harunobu Suzuki a Japanese designer of woodblock print artist in
3519759 Mother and child behind mosquito netting by Harunobu Suzuki a Japanese designer of woodblock print artist in the Ukiyo-e style

Exchange of Gifts (Yuino), the second sheet of the series "Marriage in Brocade Prints
Exchange of Gifts (Yuino), the second sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Introduction (Miai), the first sheet from the series "Marriage in Brocade Prints
The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Geese Descending on the Sumida River (Sumidagawa no rakugan), from the series " Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Sumirena: The Mistress of Yojiya (Yojiya musume)
Sumirena: The Mistress of Yojiya (Yojiya musume, Sumirena), from the series " Beauties of the Floating World Compared to Flowers (Ukiyo bijin hana ni yosu)", c. 1768/69

Tree Peony: Chozan of Chojiya (Chojiya uchi Chozan)
Tree Peony: Chozan of Chojiya (Chojiya uchi Chozan, Kao), from the series " Parodies of Floating-world Beauties as Flowers (Ukiyo bijin hana mitate)", c. 1769

Double-Flowered Cherry: Motoura of the Minami Yamasakiya (Minami Yamasakiya uchi)
Double-Flowered Cherry: Motoura of the Minami Yamasakiya (Minami Yamasakiya uchi Motoura, Yaezakura)

The Actor Segawa Kikunojo II as Yamabuki, the sister of Hata Rokurozaemon, in the play " Shikai Nami Yawaragi Taiheiki, " performed at the Ichimura Theater in the eleventh month, 1763, 1763

The Actor Segawa Kikunojo II as the courtesan Umegae in the play "Hiragana Seisuiki
The Actor Segawa Kikunojo II as the courtesan Umegae in the play " Hiragana Seisuiki, " performed at the Ichimura Theater in the first month, 1764, 1764

The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play "Ume Momiji Date no Okido
The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play " Ume Momiji Date no Okido, " performed at the Ichimura Theater in the eleventh month, 1760

Parrot Komachi (Omu Komachi), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615-1868), 1751/64

Ono no Komachi at Seki Temple (Seki), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615-1868), 1751/64

Ono no Komachi by the Waterfall (Shimizu), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615-1868), 1751/64

Ono no Komachi Praying for Rain (Amagoi), from the series " The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi)", c. early 1760s

Key block print for The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The First Childbirth (Uizan), the seventh sheet of the series "Marriage in Brocade
The First Childbirth (Uizan), the seventh sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet of the series " Marriage in Brocade Prints

Woman Washing Her Hands before Entering a Shrine, c. 1767. Creator: Suzuki Harunobu
Woman Washing Her Hands before Entering a Shrine, c. 1767. Attributed to Suzuki Harunobu

Going to the Theater, c. 1770 / 71. Creator: Suzuki Harunobu
Going to the Theater, c. 1770/71. Attributed to Suzuki Harunobu

Parody of Kawachi-goe from "Tales of Ise", 1765. Creator: Suzuki Harunobu
Parody of Kawachi-goe from " Tales of Ise", 1765. Attributed to Suzuki Harunobu

Smoking on a Bench, 1765. Creator: Suzuki Harunobu
Smoking on a Bench, 1765. Attributed to Suzuki Harunobu

Chrysanthemums and the Rising Moon, c. 1766. Creator: Suzuki Harunobu
Chrysanthemums and the Rising Moon, c. 1766. Attributed to Suzuki Harunobu

The Hole in the Wall, 1765. Creator: Suzuki Harunobu
The Hole in the Wall, 1765. The poet Narihira visited the empress in secret, entering through a crumbling palace wall. When discovered, he was sent into exile in northern Japan

A Fan Peddler Showing his Wares to a Young Woman, c. 1765 / 70. Creator: Suzuki Harunobu
A Fan Peddler Showing his Wares to a Young Woman, c. 1765/70. Attributed to Suzuki Harunobu

Courtesan Watching Her Attendants Playing with a Ball, c. 1765 / 70
Courtesan Watching Her Attendants Playing with a Ball, c. 1765/70. Attributed to Suzuki Harunobu

Young Man and Woman Talking through a Bamboo Blind, c. 1768. Creator: Suzuki Harunobu
Young Man and Woman Talking through a Bamboo Blind, c. 1768. Attributed to Suzuki Harunobu

Courtesan on White Elephant, 1765. Creator: Suzuki Harunobu
Courtesan on White Elephant, 1765. Attributed to Suzuki Harunobu

Young Women Playing Cats Cradle, c. 1767 / 68. Creator: Suzuki Harunobu
Young Women Playing Cats Cradle, c. 1767/68. Attributed to Suzuki Harunobu

Egrets in the Snow, c. 1768. Creator: Suzuki Harunobu
Egrets in the Snow, c. 1768. Attributed to Suzuki Harunobu

By the Stream, c. 1765. Creator: Suzuki Harunobu
By the Stream, c. 1765. Attributed to Suzuki Harunobu

The Fan Peddler, 1765. Creator: Suzuki Harunobu
The Fan Peddler, 1765. Attributed to Suzuki Harunobu

The Lantern Shop, c. 1765. Creator: Suzuki Harunobu
The Lantern Shop, c. 1765. Attributed to Suzuki Harunobu

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Suzuki Harunobu, a renowned Japanese woodblock print artist in the Ukiyo-e style, captivated audiences with his exquisite works. In "Girl Riding a Crane, " he playfully parodied Hi Chobo's Chinese masterpiece Fei Zhangfang, showcasing his creativity and wit. Another captivating piece is "Young man being handed his sedge hat, " where Harunobu masterfully captured the moment of anticipation and elegance. Harunobu also delved into themes of love and romance. In "A Teenage Boy and Girl with a Viewer for an Optique Picture, " he depicted Kobo Da exploring the world of optical illusions alongside a young girl, highlighting their innocence and curiosity. His exploration of sensuality can be seen in "First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon. " This provocative work showcases Harunobu's ability to portray intimate moments with grace and beauty. In contrast, Harunobu also portrayed everyday life scenes such as "A Woman Sweeping up Her Love Letters. " This artwork captures the bittersweet emotions associated with lost love, evoking empathy from viewers. Similarly, in "Woman Running Past a Willow Tree in a Breeze, " he beautifully depicts movement and tranquility through delicate lines. Harunobu's talent extended beyond individuals to encompass various relationships. He skillfully portrayed motherhood in pieces like "Mother and child behind mosquito netting" – capturing tender moments between parent and child amidst intricate details. Additionally, his depiction of lovers braving snowy weather beneath an umbrella in "Two Lovers in Snow" conveys both warmth and intimacy. One notable series by Harunobu is "Exchange of Gifts (Yuino), " which explores marriage customs during that era. The second sheet from this series exemplifies his attention to detail while depicting cultural traditions surrounding weddings.