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Pillow : A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson

A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson




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A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson

A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)

Heritage Images features heritage image collections

Media ID 14940473

© The Print Collector / Heritage-Images

Aged Artificial Leg Attraction Attractive Disabilities Disability Disabled Frigate Rowlandson Seduce Seducer Seduction Seductive Thomas Rowlandson Ugly Wooden Leg Young Print Collector7 Warship


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Water Mouse

> Arts > Artists > R > Thomas Rowlandson

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> Europe > France > Military

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EDITORS COMMENTS
This print by Thomas Rowlandson, titled "A French Frigate Towing an English Man-of-War into Port" transports us back to the late 18th-early 19th century. The artist's skillful use of color and attention to detail bring this scene to life. In the foreground, we see a disabled man with an artificial leg, representing the theme of disability in this artwork. He is accompanied by a seductive French woman, dressed in vibrant clothes and an elegant hat. Her allure is juxtaposed against his physical limitations, creating a thought-provoking contrast. The main focus of the image is the interaction between two powerful naval vessels - a French frigate towing an English man-of-war into port. This depiction symbolizes not only the transportation of ships but also represents political tensions between France and England during that time period. Rowlandson's caricature style adds a touch of satire to this piece, highlighting societal concepts such as attraction and ageism. The presence of other men and women in various roles further emphasizes the diversity within society at that time. Overall, this print offers viewers a glimpse into history while challenging traditional notions of beauty and ability. It serves as both entertainment and social commentary on gender dynamics, national rivalries, and perceptions surrounding disabilities in 18th-century Europe.

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