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Metal Print : A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson

A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson



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A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Artist: Thomas Rowlandson

A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)

Heritage Images features heritage image collections

Media ID 14940473

© The Print Collector / Heritage-Images

Aged Artificial Leg Attraction Attractive Disabilities Disability Disabled Frigate Rowlandson Seduce Seducer Seduction Seductive Thomas Rowlandson Ugly Wooden Leg Young Print Collector7 Warship


16"x20" (51x41cm) Metal Print

Experience the thrilling history of naval warfare with our exclusive Metal Print of "A French Frigate Towing an English Man-of-War into Port" by Thomas Rowlandson. This iconic 1929 illustration from Apollo Volume X, no 55, depicts an intriguing moment from the late 18th to early 19th century. The detailed metal print brings the vivid colors and intricate lines of Rowlandson's masterpiece to life, making it a stunning addition to any home or office. Relive the drama of the past with this high-quality metal print, a perfect conversation starter and a timeless piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Water Mouse

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > Related Images

> Arts > Artists > Y > Art Young

> Europe > France > Military

> Popular Themes > Warships


EDITORS COMMENTS
This print by Thomas Rowlandson, titled "A French Frigate Towing an English Man-of-War into Port" transports us back to the late 18th-early 19th century. The artist's skillful use of color and attention to detail bring this scene to life. In the foreground, we see a disabled man with an artificial leg, representing the theme of disability in this artwork. He is accompanied by a seductive French woman, dressed in vibrant clothes and an elegant hat. Her allure is juxtaposed against his physical limitations, creating a thought-provoking contrast. The main focus of the image is the interaction between two powerful naval vessels - a French frigate towing an English man-of-war into port. This depiction symbolizes not only the transportation of ships but also represents political tensions between France and England during that time period. Rowlandson's caricature style adds a touch of satire to this piece, highlighting societal concepts such as attraction and ageism. The presence of other men and women in various roles further emphasizes the diversity within society at that time. Overall, this print offers viewers a glimpse into history while challenging traditional notions of beauty and ability. It serves as both entertainment and social commentary on gender dynamics, national rivalries, and perceptions surrounding disabilities in 18th-century Europe.

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