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First Class-The Meeting. 'And at first meeting loved. ', 1855




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First Class-The Meeting. "And at first meeting loved. ", 1855

First Class-The Meeting. " And at first meeting loved.", 1855

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Media ID 20766371

© Heritage Art/Heritage Images

1st Class Abraham Solomon Compartment Daughter Elderly Man Eye Contact Father Fatherhood First Class Meeting Old Man Old Men Paintings Passenger Passengers Railway Carriage Speaking Talking Train Train Carriage Yale Center For British Art Young Love Metaphor


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Abraham Solomon

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Railways

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


First Class - The Meeting - A Timeless Tale of Love and Connection

EDITORS COMMENTS
. In this 19th-century oil painting by Abraham Solomon, titled "First Class - The Meeting. 'And at first meeting loved. ', 1855" we are transported to a railway carriage in England. Within the richly colored compartment, three individuals come together, their eyes locked in an intense gaze that speaks volumes. At the center of the composition stands an elderly man, dressed in a military uniform that hints at his past experiences. His weathered face exudes wisdom and tenderness as he engages with a young woman seated beside him. Their eye contact reveals an immediate connection, suggesting a bond beyond words. To their left is another figure—a fatherly presence—engaged in conversation with his daughter who sits across from them. This intimate gathering within the train carriage captures not only familial ties but also the universal theme of love blossoming at first sight. Solomon's masterful use of color and light draws us into this moment frozen in time, evoking feelings of warmth and nostalgia. Through this artwork, we witness the power of human connection transcending age and social boundaries. Displayed at Yale Center for British Art, "First Class - The Meeting" invites viewers to reflect on our own encounters with strangers turned friends or lovers—an enduring reminder that love can be found even amidst unexpected journeys through life's various compartments.

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