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Conversation Without Words, 1936. Artist: Paul Gauguin
Conversation Without Words, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]
Heritage Images features heritage image collections
Media ID 15341493
© The Print Collector / Heritage-Images
Eugene Henri Paul Gaugin Eugène Henri Paul Gauguin French Polynesia French School Gaugin Gauguin Intimacy Intimate Otaheite Paul Paul Gaugin Paul Gauguin Polynesia Polynesian Post Impressionism Post Impressionist Tahiti Tahitian Windward Islands Work Of Art Impressionist
18"x18" (46x46cm) Pillow
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Conversation Without Words, 1936
EDITORS COMMENTS
is a captivating print by renowned artist Paul Gauguin. This striking artwork, featured in Gauguin's Intimate Journals, transports us to the enchanting world of French Polynesia in the early 20th century. In this post-impressionist masterpiece, Gauguin skillfully captures the essence of intimacy and human connection without relying on verbal communication. The monochrome composition portrays two women engaged in deep conversation, their profiles delicately sketched against a backdrop of lush tropical foliage. Gauguin's fascination with Tahitian culture is evident as he depicts these women from Otaheite (Tahiti) engaging in an intimate dialogue that transcends language barriers. Their faces express a range of emotions - curiosity, empathy, and perhaps even shared secrets. It is through their body language that we witness the power of non-verbal communication. The artist's use of light and shadow adds depth to the scene while emphasizing the contours of their figures. The motherly presence hints at themes of motherhood and parenting within this exotic setting. As we gaze upon "Conversation Without Words" we are transported back in time to witness a moment frozen forever by Gauguin's skilled hand. This timeless artwork invites us to contemplate our own connections with others beyond spoken words – reminding us that true understanding can be found through gestures, expressions, and unspoken bonds between souls.
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