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The Burning Of Cranmer, 1556, (c1850)
The Burning Of Cranmer, 1556, (c1850). Thomas Cranmer was one of the first Anglican martyrs burned for heresy in 1556. Colour plate from Pictures of English History, published by George Routledge & Sons, (London, New York, c1850)
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Media ID 14916764
© The Print Collector / Heritage-Images
Anglican Archbishop Archbishop Of Canterbury Bishop Burning Church Of England Cranmer Firewood Flame Flames Heresy Heretic Martyr Martyrdom Stake Thomas Cranmer
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "The Burning of Cranmer, 1556" takes us back to a significant moment in English history. Captured around the mid-19th century, this color plate from "Pictures of English History" transports us to the 16th century when Thomas Cranmer faced martyrdom for his beliefs. Thomas Cranmer, the Archbishop of Canterbury during that time, was burned at the stake for heresy. The flames depicted in this image evoke a sense of intensity and sacrifice as they engulf him. The composition highlights not only the firewood but also the billowing smoke that fills the air. As we delve into this historical scene, it becomes evident that religion played a crucial role in shaping England's destiny. This print serves as a reminder of how religious conflicts were deeply intertwined with politics and power struggles during this era. The artist behind this masterpiece remains unknown; however, their attention to detail is commendable. The vibrant colors bring life to an otherwise somber event and emphasize its significance within English society. "The Burning of Cranmer, 1556" invites viewers to reflect on themes such as faith, persecution, and martyrdom while offering a glimpse into one man's unwavering commitment to his beliefs amidst turbulent times. It stands as both an artistic representation and a historical document capturing an important chapter in England's religious landscape.
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