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Pillow : Aimee Motier de La Fayette, c16th century, (1939). Artist: Corneille de Lyon
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Aimee Motier de La Fayette, c16th century, (1939). Artist: Corneille de Lyon
Aimee Motier de La Fayette, c16th century, (1939). Aimee Motier de La Fayette (c.1480 - 1539). The portrait is housed in the Musee de Conde, Chantilly, France. From Verve - Nos. 5-6, July-October 1939. [Verve, France, 1939]
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Media ID 14985781
© The Print Collector
Baroness Conde Museum Corneille De Corneille De Lyon Folio Lafayette Looking Up Lyon Musee Conde Musee De Conde Northern Renaissance Verve Aristocrat
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the timeless beauty of Aimee Motier de La Fayette, a prominent figure from the 16th century. Painted by Corneille de Lyon in 1939, this exquisite portrait is currently housed in the Musee de Conde, located in Chantilly, France. The side view captures Aimee's graceful profile as she gazes upwards with an air of elegance. The image transports us back to the Renaissance era, highlighting Aimee's aristocratic status and her influence within French society. Her refined features are beautifully rendered through oil on panel technique, showcasing Corneille de Lyon's mastery as an artist. As we delve into this historical piece, we are reminded of the rich cultural heritage that flourished during the 16th century. This photograph serves as a window into a bygone era and allows us to appreciate both the artistry behind it and its subject's significance. Preserved for generations to come by The Print Collector29, this print offers viewers a glimpse into Northern Renaissance portraiture while paying homage to Aimee Motier de La Fayette's legacy. Its inclusion in Verve - Nos. 5-6 further solidifies its importance within art history.
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