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BRAZIL: CANNIBALISM, 1505. The earliest European depiction of New World Native




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BRAZIL: CANNIBALISM, 1505. The earliest European depiction of New World Native

BRAZIL: CANNIBALISM, 1505.
The earliest European depiction of New World Native Americans of some ethnographic authenticity, the Tupinambas of coastal Brazil at a cannibal feast. German woodcut, 1505

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12227992

1505 American Indian Brazil Brazilian Cannibal Celebration Feast Life New World Nudity Tupinamba Tupi


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
BRAZIL: CANNIBALISM, 1505. Witness the striking portrayal of a significant historical moment in this photo print. Dating back to 1505, it showcases the earliest European depiction of New World Native Americans with remarkable ethnographic authenticity. The focus lies on the Tupinambas, an indigenous tribe residing along Brazil's coastal regions, engaging in a fascinating cannibal feast. Crafted by German artisans through a meticulous woodcutting technique, this artwork captures both the curiosity and horror that accompanied Europe's first encounters with these native communities. The scene unfolds amidst vibrant celebration and life as members of the Tupinamba tribe partake in their traditional ritualistic practices. This photograph offers a glimpse into an era where cultural exploration collided with colonialism and challenges our understanding of history. It invites viewers to reflect upon the complexities surrounding colonization and its impact on indigenous cultures. The image also exposes nudity within its context; however, it is essential to approach it from an anthropological perspective rather than sensationalizing or objectifying individuals depicted. As we delve into this visual representation from Granger Art on Demand, let us appreciate its artistic value while acknowledging its historical significance as a testament to cross-cultural interactions during this transformative period.

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