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Pillow : The Second Bengal Light Infantry, under British command, charging the Burmese village of Minhla. Wood engraving, English, 1885

The Second Bengal Light Infantry, under British command, charging the Burmese village of Minhla. Wood engraving, English, 1885




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The Second Bengal Light Infantry, under British command, charging the Burmese village of Minhla. Wood engraving, English, 1885

THIRD BURMESE WAR, 1885.
The Second Bengal Light Infantry, under British command, charging the Burmese village of Minhla. Wood engraving, English, 1885

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10730471

1885 Attack Bayonet Bengal British British Empire Buddhism Burma Burmese Colonialism Colonist Colony Stupa Temple Theravada Warfare Westernization Bengali Troop


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This wood engraving from 1885 depicts the intense and pivotal moment when The Second Bengal Light Infantry, under British command, fearlessly charges towards the Burmese village of Minhla during the Third Burmese War. The print showcases the power dynamics of colonialism as it captures a significant event in British imperial history. The image portrays a group of brave soldiers, adorned in their distinctive Bengali uniforms, charging forward with bayonets fixed on their rifles. Their determined expressions reveal their unwavering commitment to carrying out their mission. In contrast, the serene backdrop of Minhla village with its traditional Buddhist stupa and temple stands as a symbol of Burmese culture and spirituality. This wood engraving not only highlights the clash between two worlds but also sheds light on Westernization's impact on Burma at that time. It serves as a visual representation of how colonial powers sought to assert dominance over indigenous populations through military force. As we reflect upon this historical artwork, it is essential to acknowledge both its artistic merit and its significance within the context of imperialism. This print offers us an opportunity to contemplate themes such as power dynamics, cultural assimilation, and resistance while reminding us of the complex legacies left behind by colonial rule.

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