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Pillow : John Wier (1516-88) copy of an illustration from De Lamiis Liber, Basel 1577
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John Wier (1516-88) copy of an illustration from De Lamiis Liber, Basel 1577
STC202524 John Wier (1516-88) copy of an illustration from De Lamiis Liber, Basel 1577, used in a History of Magic, published late 19th century (woodcut) by Swiss School, (16th century) (after); Private Collection; (add.info.: one of the first opponents of witchcraft; ); The Stapleton Collection; Swiss, out of copyright
Media ID 23223456
© The Stapleton Collection / Bridgeman Images
Physician Scroll Skull Superstition Treatise
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a copy of an illustration from De Lamiis Liber, Basel 1577 by John Wier (1516-88). The image is part of a History of Magic publication from the late 19th century. Created in the Swiss School during the 16th century, this woodcut captures the essence of superstition and belief during that time. John Wier was one of the first opponents of witchcraft, and his portrait exudes an air of authority and knowledge. In this half-length depiction, he holds a scroll, symbolizing his scholarly pursuits in debunking superstitions surrounding witches. A skull rests beside him as a reminder of mortality and perhaps also alluding to death's connection with witchcraft beliefs. The Renaissance influence on this artwork is evident through its intricate details and realistic portrayal. Johann Weyer's determined expression reflects his dedication to challenging prevailing notions about magic and sorcery prevalent during the 16th century. This fascinating piece belongs to The Stapleton Collection, showcasing its historical significance. As it falls out of copyright regulations due to its age, it continues to be admired for its artistic value as well as its contribution to understanding society's beliefs in earlier times.
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