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Pillow : Platter, c.1874 (glazed earthenware and gilding)

Platter, c.1874 (glazed earthenware and gilding)




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Platter, c.1874 (glazed earthenware and gilding)

8682906 Platter, c.1874 (glazed earthenware and gilding) by Bracquemond, Felix (1833-1914); The Art Institute of Chicago, IL, USA; (add.info.: by Felix Bracquemond
Made by Haviland & Co. Auteuil Studio, Paris (French, 1872-1886))

Media ID 38302288

© Bridgeman Images

Avant Garde Avantgarde Cascade Decorative Arts Dish Dishes Florals Plates Unpopulated Waterfall Waterfalls Ceramics Items Thing Without Anyone


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Felix Bracquemond

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> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Waterfall art


EDITORS COMMENTS
This stunning print captures the beauty and intricacy of a Platter from around 1874, created by the talented artist Felix Bracquemond. The glazed earthenware and gilding used in this piece showcase the exquisite craftsmanship that was characteristic of the 19th century. Made by Haviland & Co. at their Auteuil Studio in Paris, this platter is not just a functional item but a work of art in its own right. The delicate floral patterns and vibrant colors add an element of elegance to any table setting. The scene depicted on the platter includes a serene landscape with trees, waterfalls, and rivers - transporting viewers to a peaceful countryside setting in France. The attention to detail in every aspect of this piece highlights Bracquemond's skill as an artist. With no people present in the image, the focus remains solely on the intricate design and artistic merit of the platter itself. This avant-garde creation exemplifies both traditional ceramic techniques and innovative artistic expression. Whether displayed as part of a collection or used for serving food, this Platter from 1874 is sure to be a conversation starter and a cherished piece for any art lover or collector.

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