Pillow : The Elopement, 1792 (w / c with pen & ink over graphite on paper)
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The Elopement, 1792 (w / c with pen & ink over graphite on paper)
XYC283583 The Elopement, 1792 (w/c with pen & ink over graphite on paper) by Rowlandson, Thomas (1756-1827); 27.3x20.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12789165
© www.bridgemanart.com
Clandestine Driver Eloping Escaping Illicit Porter Secret Tryst Lovers Regency Traditional Costume
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
The Elopement, 1792
EDITORS COMMENTS
is a captivating print by Thomas Rowlandson that beautifully captures the essence of forbidden love and adventure. This watercolor with pen and ink over graphite on paper depicts a scene from the Georgian era, where a couple is seen eloping in secret. The image showcases a young couple escaping their societal constraints, as they are driven away in a carriage. The driver and porter play crucial roles in aiding their illicit getaway. The man, dressed in military uniform, adds an air of mystery to the scene, suggesting he may be an officer or soldier involved in this clandestine affair. Rowlandson's attention to detail shines through his depiction of traditional costumes and dresses worn by the characters. Every stroke brings life to this tryst between lovers who dare to defy convention for their love. This artwork invites viewers into a world filled with passion and rebellion against societal norms. It serves as a reminder that love knows no boundaries and can flourish even under the most challenging circumstances. "The Elopement, 1792" is part of Yale Center for British Art's Paul Mellon Collection, showcasing its significance within British art history. This print allows us to appreciate Rowlandson's skillful storytelling through his mastery of watercolor techniques combined with pen and ink detailing.
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