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The Shah and his Country (engraving)




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The Shah and his Country (engraving)

1055741 The Shah and his Country (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: The Shah and his Country. Illustration for The Graphic, 29 June 1889.); Look and Learn / Illustrated Papers Collection; English, out of copyright

Media ID 22638152

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Dentist Equestrian Statue Front Iran Maidan Middle Middle Class Persia Shah Showing Teheran Turbans Wearing Bread Seller Punishment


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > M > Adrien Emmanuel Marie

> Arts > Artists > M > Adrien Marie

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> Asia > Iran > Related Images


The Shah and his Country - A Glimpse into 19th Century Persia

EDITORS COMMENTS
. This engraving, created by Marie, Adrien Emmanuel in 1889, offers a fascinating snapshot of life in Persia during the reign of the Shah. The intricate details and vibrant scenes depicted within this print transport us back to a time when tradition and modernity coexisted. In the foreground, we see a diverse group of Persian men and women going about their daily activities. From bread sellers to tea vendors, each figure represents a different facet of society - from the middle class to religious figures such as mollahs adorned with their distinctive turbans. The equestrian statue towering above them symbolizes power and authority. Further back, we catch glimpses of various settings that define this rich culture. A school filled with eager students learning under the watchful eye of their teacher; an old Persian receiving dental treatment from a seated dentist; even punishment being meted out in Maidan Square – all these scenes provide insight into different aspects of life in Iran at that time. Marie's skillful artistry brings forth not only visual beauty but also serves as an invaluable historical document. It allows us to appreciate the customs, traditions, and social dynamics that shaped Persia during this era. As we gaze upon "The Shah and his Country" we are reminded that art has the power to transcend time and offer us glimpses into worlds long gone but never forgotten.

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