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Pillow : St. Bernard, left hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)
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St. Bernard, left hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)
3471330 St. Bernard, left hand panel from the Triptych of St. Erasmus, c.1460 (oil on panel) by Bouts, Dirck (c.1415-75); 82x169 cm; Museums of Louvain, Belgium; (add.info.: founder of the monastery at Clairvaux); © Art in Flanders
Media ID 28437644
© Art in Flanders / Bridgeman Images
Abbot Cistercian Monk Crozier Devil Fabulous Animal Fantastic Animal Fantastic Creature Fictional Characters Grotesque Grotesques Monstrous Character Monstruous Wonderful Character Fictional Character Monster Northern Renaissance
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the left-hand panel of the Triptych of St. Erasmus, painted by Dirck Bouts around 1460. The artwork, measuring 82x169 cm, is housed in the Museums of Louvain, Belgium. In this panel, we are introduced to St. Bernard, a prominent figure and founder of the monastery at Clairvaux. The Northern Renaissance artist skillfully captures his saintly presence through delicate brushstrokes and vibrant colors. However, what truly captivates viewers is the juxtaposition between St. Bernard's serene demeanor and the grotesque figures surrounding him. A devilish creature with horns lurks behind him while a monstrous being gazes up from below. These fantastical creatures symbolize temptation and evil forces that St. Bernard has triumphed over throughout his life. Bouts' attention to detail is evident in every aspect of this painting; from St. Bernard's flowing robes to his firm grip on a crozier symbolizing his authority as an abbot within the Cistercian order. The inclusion of these fictional characters adds an element of wonderment to this masterpiece, reminding us that even saints face challenges and temptations in their spiritual journeys. As we gaze upon this remarkable piece by Bouts, we are transported back in time to witness not only religious devotion but also artistic mastery at its finest.
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