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Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068613 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich, Kazimir Severinovich (1878-1935); 17.8x26 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Kazimir Severinovich Malevich); The Art Museum League Fund in honor of Mr. and Mrs. James H. Clark
Media ID 33087962
© The Art Museum League Fund in honor of Mr. and Mrs. James H. Clark / Bridgeman Images
Avant Garde Avantgarde Book Page Kazimir Malevich Malevich Kazimir Severinovich Suprematism Typeface Typographical Typography Unpopulated 1900 1910 Years 10 10s 1910 1919 Years 10 10s Art Style Without Anyone Years 1910 Years 10 Years Ten
18"x18" (46x46cm) Pillow
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the text pages from Kazimir Severinovich Malevich's groundbreaking book, "From Cubism and Futurism to Suprematism: A New Realism in Painting" published in 1916. The letterpress printing technique used for these pages adds a unique touch to the artwork, emphasizing the importance of typography and typeface as integral elements of artistic expression. Measuring at 17.8x26 cm, this print is housed in the prestigious Dallas Museum of Art in Texas, USA. It serves as a testament to Malevich's significant contribution to the art world during the early twentieth century. The Art Museum League Fund has honored Mr. and Mrs. James H. Clark by acquiring this remarkable piece. The absence of people within this photograph allows viewers to focus solely on the intricate details of Malevich's work without any distractions. Rendered in black and white, it exudes an avant-garde aesthetic that was characteristic of art movements during this time period. Malevich himself was a renowned painter and artist who played a pivotal role in developing suprematism—a revolutionary art style that rejected representation and focused on geometric forms instead. This print not only captures an important moment in art history but also invites us to appreciate Malevich's genius through his written words and innovative artistic vision.
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