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Evil (litho)
7150296 Evil (litho) by Barrett, Oswald Charles (BATT) (1892-1945); Private Collection; (add.info.: Evil. Illustration from How Should We Rebuild London? by C B Purdom (J M Dent & Sons Ltd, London, 1945).); © Look and Learn
Media ID 25168124
© Look and Learn / Bridgeman Images
1939 1945 Wwii Ww Two 1940 1949 19401949 1940s 39 45 7 Deadly Sins Cobblestone Street Demon Demons Devil Devils Forties Future Greed Ii World War Land Landing Metro Minted Money Minting Moneychangers Nineteen Forties Passenger Passengers Poors Post War Precarious Precariousness Reconstruction Reenactment Replica Reproduction Satan Second World War Second World War 1939 1945 Seven Deadly Sins Street Network Subway Trains Tube Underground Underground Line World War World War 2 World War Ii World War Two Wwii Public Transport War Zone
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Evil (litho)
EDITORS COMMENTS
is a captivating and thought-provoking print that delves into the depths of human nature. Created by Oswald Charles Barrett, this artwork is an illustration from the book "How Should We Rebuild London?" by C. B. Purdom, published in 1945. The image portrays a satirical commentary on greed and the seven deadly sins. In a post-war setting, it depicts a chaotic scene where demons and devils are engaged in minting money, symbolizing the insatiable desire for wealth and power. The artist's use of caricature adds an element of satire to highlight society's obsession with materialism. Set against the backdrop of Europe during World War II, this print serves as a reminder of the consequences of unchecked ambition and selfishness. It prompts viewers to reflect on how these vices can corrupt individuals and societies alike. The intricate details within the artwork draw attention to every aspect – from devilish figures to meticulously crafted coins – inviting viewers to explore each element carefully. The composition cleverly combines dark humor with social critique, making it both visually striking and intellectually stimulating. "Evil (litho)" challenges us to question our own values and priorities while serving as a cautionary tale about humanity's capacity for destruction when driven solely by personal gain. As we gaze upon this intriguing piece, we are reminded that true progress lies not in amassing wealth but in cultivating compassion, empathy, and understanding among one another.
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