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Pillow : Madonna and Child with St. Louis of Toulouse, St. Francis of Assisi, St
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Madonna and Child with St. Louis of Toulouse, St. Francis of Assisi, St
AII80556 Madonna and Child with St. Louis of Toulouse, St. Francis of Assisi, St. Anthony of Padua and St. Nicholas of Bari (tempera on panel) by Bicci di Lorenzo, (1373-1452); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright
Media ID 22806276
© Bridgeman Images
Altarpiece Antoine De Padoue Archbishop Bishop Crozier Enthroned Flame Friar Mitre Myra Stigmata
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of Bicci di Lorenzo, a renowned Italian painter from the 14th to 15th century. Titled "Madonna and Child with St. Louis of Toulouse, St. Francis of Assisi, St. Anthony of Padua and St. Nicholas of Bari" this tempera on panel masterpiece is housed in the Galleria dell Accademia & Museo degli Strumenti Musicali in Florence, Italy. The painting depicts an ethereal scene where the Madonna and Child are surrounded by four revered saints - St. Louis of Toulouse, St. Francis of Assisi, St. Anthony of Padua, and St. Nicholas of Bari. The composition exudes a sense of divine serenity as they are all enthroned amidst a heavenly backdrop. Each saint is depicted with symbolic attributes: flame for martyrdom (St. Louis), cross for devotion (St. Francis), golden balls for charity (St. Anthony), and mitre with crozier for episcopal authority (St. Nicholas). Angels gracefully hover above them while an archbishop stands nearby. Bicci di Lorenzo's attention to detail is evident in his portrayal; every brushstroke brings life to each figure - from the serene expression on Madonna's face to the intricate stigmata on some saints' hands. This altarpiece not only serves as a visual feast but also reflects religious devotion during that era through its rich symbolism and
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