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Pillow : Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel)
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Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel)
SGS106178 Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel) by Eworth or Ewoutsz, Hans (fl.1520-74); diam: 65 cm; The Berger Collection at the Denver Art Museum, USA; eBerger Collection Educational Trust; Flemish, out of copyright
Media ID 22350196
© Berger Collection Educational Trust / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the essence of Henry Fitz Alan, the 24th Earl of Arundel, in all his regal splendor. Painted in 1550 by Hans Eworth or Ewoutsz, this oil on panel masterpiece is a true testament to the artist's skill and attention to detail. Fitz Alan, a man of many talents and accomplishments, is depicted here as a soldier, diplomat, Catholic, courtier, and chancellor of Oxford University. His distinguished presence emanates from the canvas as he gazes confidently into the distance. The tondo format adds an intriguing touch to this painting. With a diameter of 65 cm, it invites viewers to focus solely on Fitz Alan's face and persona. Every brushstroke seems meticulously placed to highlight his noble features - from his piercing eyes to his well-groomed beard. As one explores this artwork further, it becomes evident that Fitz Alan was not only a man of intellect but also an expert in fortifications. This aspect is subtly hinted at through the background details depicting architectural elements reminiscent of castle walls. Now part of The Berger Collection at the Denver Art Museum in the USA under eBerger Collection Educational Trust ownership; this historic piece has found its rightful place among other masterpieces. Its Flemish origins add another layer of cultural significance. In conclusion, this remarkable portrait immortalizes Henry Fitz Alan as more than just an influential figure; it encapsulates him as an embodiment of power and sophistication during a significant period in history
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