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Metal Print : Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel)

Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel)



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Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel)

SGS106178 Henry Fitz Alan, 24th Earl of Arundel (1512-80) 1550 (oil on panel) by Eworth or Ewoutsz, Hans (fl.1520-74); diam: 65 cm; The Berger Collection at the Denver Art Museum, USA; eBerger Collection Educational Trust; Flemish, out of copyright

Media ID 22350196

© Berger Collection Educational Trust / Bridgeman Images

Courtier Diplomat Tondo


20"x24" (61x51cm) Metal Print

Bring historical elegance into your home with our Media Storehouse Metal Prints featuring the captivating portrait of Henry Fitz Alan, 24th Earl of Arundel (1512-80) by Hans Eworth or Ewoutsz. This exquisite oil on panel painting, originally housed in The Berger Collection at the Denver Art Museum, showcases the nobleman's refined sophistication and the masterful artistry of the Renaissance period. Our high-quality metal prints are known for their vibrant colors, long-lasting durability, and sleek modern design. Transform your space into a gallery with this stunning piece of art history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")

Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Hans Eworth or Ewoutsz

> Fine Art Finder > Artists > Joseph Wright of Derby

> Fine Art Finder > Men Up To 16th Century

> Arts > Artists > E > Hans Eworth or Ewoutsz

> Arts > Artists > W > Joseph Wright of Derby

> Arts > Still life artwork > Oil paintings > Portrait paintings


EDITORS COMMENTS
This portrait captures the essence of Henry Fitz Alan, the 24th Earl of Arundel, in all his regal splendor. Painted in 1550 by Hans Eworth or Ewoutsz, this oil on panel masterpiece is a true testament to the artist's skill and attention to detail. Fitz Alan, a man of many talents and accomplishments, is depicted here as a soldier, diplomat, Catholic, courtier, and chancellor of Oxford University. His distinguished presence emanates from the canvas as he gazes confidently into the distance. The tondo format adds an intriguing touch to this painting. With a diameter of 65 cm, it invites viewers to focus solely on Fitz Alan's face and persona. Every brushstroke seems meticulously placed to highlight his noble features - from his piercing eyes to his well-groomed beard. As one explores this artwork further, it becomes evident that Fitz Alan was not only a man of intellect but also an expert in fortifications. This aspect is subtly hinted at through the background details depicting architectural elements reminiscent of castle walls. Now part of The Berger Collection at the Denver Art Museum in the USA under eBerger Collection Educational Trust ownership; this historic piece has found its rightful place among other masterpieces. Its Flemish origins add another layer of cultural significance. In conclusion, this remarkable portrait immortalizes Henry Fitz Alan as more than just an influential figure; it encapsulates him as an embodiment of power and sophistication during a significant period in history

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