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The Corsican Bandit, Jacques Bellacoscia, Surrendering to the Police, from Le




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The Corsican Bandit, Jacques Bellacoscia, Surrendering to the Police, from Le

XIR246052 The Corsican Bandit, Jacques Bellacoscia, Surrendering to the Police, from Le Petit Journal, 16th July 1892 (colour litho) by Meyer, Henri (1844-99); Private Collection; (add.info.: le bandit Corse se rendant aux gendarmes; giving himself up; ); French, out of copyright

Media ID 12770457

© www.bridgemanimages.com

Arrest Arresting Brigand Capture Corsica Criminal Highwayman Policemen Surrender


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
The captivating print titled "The Corsican Bandit, Jacques Bellacoscia, Surrendering to the Police" takes us back to a significant moment in history. Captured by Henri Meyer and published in Le Petit Journal on 16th July 1892, this colour lithograph showcases an intense scene of surrender and capture. In the foreground, we see Jacques Bellacoscia, a notorious bandit from Corsica. His rugged appearance and defiant gaze hint at his past exploits as a highwayman. However, in this particular instance, he finds himself surrounded by policemen dressed in their distinguished uniforms. The tension between them is palpable as they prepare to take him into custody. This image captures not only the physical act of arrest but also the psychological struggle within Bellacoscia's mind. It raises questions about what led him to surrender after leading a life of crime for so long. Was it fear? Regret? Or perhaps a realization that his days of evading justice were numbered? Meyer's skillful use of color adds depth and emotion to the composition. The warm tones evoke both the harshness of Bellacoscia's past actions and the hope for redemption that comes with his decision to give himself up. "The Corsican Bandit" serves as a powerful reminder that even those who have lived outside society's boundaries can find themselves facing consequences for their actions. This photograph invites us to reflect on themes such as justice, morality, and second chances while immersing

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