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I am shown two interesting penitents, illustration from David Copperfield
KW259229 I am shown two interesting penitents, illustration from David Copperfield by Charles Dickens (1812-70) first published 1850 (litho) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; Ken Welsh; English, out of copyright
Media ID 12775073
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Audience Cell Dickensian Inmates Prison Prisoners Visiting Visitors
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print transports us back to the Victorian era, immersing us in the world of Charles Dickens' beloved novel, David Copperfield. The illustration, skillfully created by Hablot Knight Browne (also known as Phiz), showcases a poignant scene within a prison cell. In this thought-provoking image, we witness two intriguing penitents who have captured our attention. Their faces are etched with stories of hardship and redemption, reflecting the complex characters that Dickens was renowned for creating. As visitors enter their confined space, we can almost feel the anticipation and curiosity emanating from both sides. The prisoners eagerly engage with their guests while holding books in their hands – a symbol of knowledge and escapism amidst their bleak reality. It is evident that literature has become an invaluable companion within these prison walls. A crowd gathers around this extraordinary encounter; men and women alike stand transfixed by the unfolding scene before them. The audience's expressions range from fascination to empathy as they bear witness to this intimate moment between writer and inmate. Through this powerful visual narrative, we are reminded of Dickens' unwavering commitment to social justice and his ability to shed light on marginalized individuals through his writing. This print serves as a testament not only to his literary genius but also to his dedication in exposing societal injustices prevalent during the Victorian era. As we gaze upon this evocative artwork, it prompts us to reflect on our own capacity for compassion and understanding towards those society often overlooks or
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