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Pillow : Succession of Louis 1st the Pious or the Debonnaire, 816
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Succession of Louis 1st the Pious or the Debonnaire, 816
XEE4160862 Succession of Louis 1st the Pious or the Debonnaire, 816: the emperor of the West (778-840) before the three crowns symbolizing the division of his empire into three kingdoms, each returning to one of his sons (Lothaire, Pepin, Louis). Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century. by Moreau, Jean Michel the Younger (1741-1814); Private Collection; (add.info.: Succession of Louis 1st the Pious or the Debonnaire, 816: the emperor of the West (778-840) before the three crowns symbolizing the division of his empire into three kingdoms, each returning to one of his sons (Lothaire, Pepin, Louis). Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.); Stefano Bianchetti; French, out of copyright
Media ID 22758982
© Stefano Bianchetti / Bridgeman Images
9 9th 9th 9th Century Franc People Louis I 1st 1st The Pious 814 840 Offspring
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the Succession of Louis 1st the Pious or the Debonnaire in 816. The image depicts the emperor of the West, who reigned from 778 to 840, standing before three crowns that symbolize the division of his empire into three kingdoms. Each crown represents one of his sons: Lothaire, Pepin, and Louis. Engraved by Jean Michel Moreau, also known as Moreau le Jeune (1741-1814), during the 18th century, this artwork beautifully captures a significant moment in history. The intricate details and skillful craftsmanship are evident in every stroke. The composition exudes a sense of power and authority as Louis stands tall before these symbols of his legacy. It is a visual representation of succession planning and how leaders pass on their reigns to future generations. Through this print, we can glimpse into an era where dynasties were formed and empires divided among heirs. It serves as a reminder that even great rulers must plan for what comes after them. Stefano Bianchetti's preservation and presentation of this historical engraving allow us to appreciate its significance today. As we observe this black-and-white masterpiece from centuries ago, we are transported back to an age filled with intrigue and political maneuvering – reminding us that history continues to shape our present reality.
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