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Metal Print : Succession of Louis 1st the Pious or the Debonnaire, 816

Succession of Louis 1st the Pious or the Debonnaire, 816



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Succession of Louis 1st the Pious or the Debonnaire, 816

XEE4160862 Succession of Louis 1st the Pious or the Debonnaire, 816: the emperor of the West (778-840) before the three crowns symbolizing the division of his empire into three kingdoms, each returning to one of his sons (Lothaire, Pepin, Louis). Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century. by Moreau, Jean Michel the Younger (1741-1814); Private Collection; (add.info.: Succession of Louis 1st the Pious or the Debonnaire, 816: the emperor of the West (778-840) before the three crowns symbolizing the division of his empire into three kingdoms, each returning to one of his sons (Lothaire, Pepin, Louis). Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.); Stefano Bianchetti; French, out of copyright

Media ID 22758982

© Stefano Bianchetti / Bridgeman Images

9 9th 9th 9th Century Franc People Louis I 1st 1st The Pious 814 840 Offspring


16"x24" (61x41cm) Metal Print

Experience the rich history of the Middle Aages with our stunning Metal Prints featuring "Succession of Louis 1st the Pious or the Debonnaire, 816" by renowned artist Stefano Bianchetti from Fine Art Finder. This captivating artwork depicts Louis the Pious, the emperor of the West (778-840), in contemplation before the three crowns symbolizing the division of his empire into three kingdoms. Each Metal Print is meticulously crafted, bringing the intricate details and vibrant colors of the original artwork to life. Elevate your home or office decor with this beautiful and historic piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Jean Michel the Younger Moreau

> Arts > Artists > M > Jean Michel

> Europe > France > Royalty


EDITORS COMMENTS
This print showcases the Succession of Louis 1st the Pious or the Debonnaire in 816. The image depicts the emperor of the West, who reigned from 778 to 840, standing before three crowns that symbolize the division of his empire into three kingdoms. Each crown represents one of his sons: Lothaire, Pepin, and Louis. Engraved by Jean Michel Moreau, also known as Moreau le Jeune (1741-1814), during the 18th century, this artwork beautifully captures a significant moment in history. The intricate details and skillful craftsmanship are evident in every stroke. The composition exudes a sense of power and authority as Louis stands tall before these symbols of his legacy. It is a visual representation of succession planning and how leaders pass on their reigns to future generations. Through this print, we can glimpse into an era where dynasties were formed and empires divided among heirs. It serves as a reminder that even great rulers must plan for what comes after them. Stefano Bianchetti's preservation and presentation of this historical engraving allow us to appreciate its significance today. As we observe this black-and-white masterpiece from centuries ago, we are transported back to an age filled with intrigue and political maneuvering – reminding us that history continues to shape our present reality.

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