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Saint Ambroise de Milan (mort en 397) et l empereur Theodose I le Grand (347-395
FIA5406649 Saint Ambroise de Milan (mort en 397) et l empereur Theodose I le Grand (347-395) - Saint Ambrose and Emperor Theodosius I - Pieter Paul Rubens (1577-1640). Oil on canvas, c. 1615. Dimension : 362x246 cm. Art History Museum, Vienne by Rubens, Peter Paul (1577-1640); Kunsthistorisches Museum, Vienna, Austria; Photo eFine Art Images; Flemish, out of copyright
Media ID 22269038
© Fine Art Images / Bridgeman Images
4 4th Iv Ivth Century Baroque Art Bishop Civic Crown Crosier Milan Santo Flemish Art Several People
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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EDITORS COMMENTS
This print showcases the iconic painting "Saint Ambroise de Milan (mort en 397) et l'empereur Theodose I le Grand" by Pieter Paul Rubens. Created in approximately 1615, this oil on canvas masterpiece measures an impressive 362x246 cm and is currently housed in the Art History Museum in Vienna. The painting depicts a momentous meeting between Saint Ambrose, the revered bishop of Milan who lived from 340 to 397, and Emperor Theodosius I, also known as Theodosius the Great, who reigned from 347 to 395. Both figures are portrayed with great detail and grandeur, showcasing their importance within Christian history. Rubens skillfully captures the essence of this encounter by highlighting various elements such as religious symbolism, regal attire, and military presence. Saint Ambrose is depicted wearing his distinctive hat and holding a crosier while engaging in conversation with Emperor Theodosius. Surrounding them are several people including priests and soldiers representing both spiritual and worldly power. This artwork not only exemplifies Rubens' mastery of baroque art but also provides insight into the historical context of the fourth century. It offers viewers a glimpse into a pivotal moment where religion intersects with politics during antiquity. With its rich colors, intricate details, and profound subject matter, this painting continues to captivate audiences centuries after its creation. It serves as a testament to Rubens' artistic brilliance while commemorating two influential figures whose
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