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Winding Gear (charcoal on paper)
WAG423035 Winding Gear (charcoal on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; (add.info.: wooden winding gear at the top of a mine shaft; ); © Wolverhampton Art Gallery; British, out of copyright
Media ID 25169308
© Wolverhampton Art Gallery / Bridgeman Images
Backdrop Background Barren Black Country Bleak Chimney Chimneys Contraption Environment Factories Heaps Industrialised Machinery Mechanism Mines Mining Monochrome Polluting Pollution Spoil Heap
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Winding Gear" by Edwin Butler Bayliss showcases the wooden winding gear at the summit of a mine shaft. The monochrome charcoal on paper composition beautifully captures the essence of British industrialization during the early 20th century. The image portrays a smoke-filled and desolate environment, emphasizing the bleakness of this landscape. The towering chimneys and smoking factory in the background serve as a stark reminder of pollution caused by heavy industry. The wheel-driven machinery and heaps of spoil further highlight the mechanized nature of mining operations during that time. Bayliss's attention to detail brings forth an intricate contraption, revealing both its complexity and labor-intensive nature. This backdrop serves as a testament to the hard work and engineering prowess required in these mines. The print evokes feelings of nostalgia for an era when factories were at their peak, contributing to England's industrial might. It also prompts reflection on how such activities impacted not only local communities but also our natural surroundings. Displayed proudly at Wolverhampton Art Gallery in West Midlands, UK, this artwork is now out of copyright, allowing us to appreciate Bayliss's skillful depiction without any limitations or restrictions.
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