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Pillow : Equipt for a Northern Visit, 1822 (colour etching)
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Equipt for a Northern Visit, 1822 (colour etching)
XCF290995 Equipt for a Northern Visit, 1822 (colour etching) by Williams, Charles (Ansell) (fl.c.1797-1850); Private Collection; (add.info.: published in London on 7 August 1822 by J Johnston of 98 Cheapside; Folly as it grows in years, the more extravagant appears ; satirising the visit of King George IV (1762-1830) to Edinburgh; wearing the kilt was banned after the Battle of Culloden, but both the King and the Lord Mayor of London, Sir William Curtis (1752-1829) wore kilts during the visit; ); English, out of copyright
Media ID 12793437
© www.bridgemanart.com
Accent Diplomacy Diplomatic Eccentric Eccentricity Equipped Highland Scot Tartan Accents Traditional Costume
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Equipt for a Northern Visit, 1822 - A Satirical Glimpse into King George IV's Eccentric Highland Adventure
EDITORS COMMENTS
. This print titled "Equipt for a Northern Visit, 1822" takes us back to a momentous event in history - the visit of King George IV to Edinburgh. Created by Charles Williams, this colour etching offers a satirical perspective on the extravagant journey undertaken by the king. Published in London in August 1822, the artwork playfully mocks both the king and Sir William Curtis, Lord Mayor of London. Despite kilts being banned after the Battle of Culloden, both figures boldly don traditional Scottish attire during their visit. The artist humorously captures their eccentricity through exaggerated accents and colloquialisms. The image showcases an array of elements that symbolize Scottish culture and diplomacy. Tartan patterns adorn their outfits while a ruler is playfully used as a prop. This clever cartoon caricature highlights not only the king's flamboyant nature but also his diplomatic efforts during this significant period. Through this artwork, we are transported to an era where satire was employed to critique societal norms and political events. It serves as a reminder that even those in positions of power can be subject to ridicule and scrutiny. As we gaze upon this historical gem from Fine Art Finder's private collection, we are reminded of how art has always been instrumental in capturing moments that shape our understanding of society and its idiosyncrasies.
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