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Photographic Print : Earthenware Bust of John Wesley, Staffordshire, England

Earthenware Bust of John Wesley, Staffordshire, England




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Royal Cornwall Museum

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Earthenware Bust of John Wesley, Staffordshire, England

Earthenware bust of John Wesley (1703-1791) wearing a black cassock and white clerical collar, mounted on a square base with leaf pattern. John Wesley, the founder of the non-conformist Methodist movement in the Church of England. He is thought to have visited Cornwall 33 times, between 1743 and his death in 1791. Wesleys practice of preaching outdoors, in barns and cottages was well suited to Cornwalls rural geography where many villages were isolated from the parish church. Large crowds were drawn to open air meetings in places such as Gwennap Pit, where Wesley preached eighteen times. The bust was manufactured in Staffordshire and measures 24.5 cm high

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : 1939.271

Media ID 19649916

© RIC

Black Blue Cornwall English Face Green Head Methodism Orange Religion Religious White Ceramics Cleric Powdered Preacher Wesleyan


10"x8" Photo Print

Bring the historic beauty of the past into your home with our Media Storehouse Photographic Prints. This exquisite image showcases an Earthenware Bust of John Wesley, a revered figure in the history of Methodism. Dressed in a black cassock and white clerical collar, Wesley's serene countenance is captured in intricate detail. The bust is artfully mounted on a decorative square base adorned with a leaf pattern, adding an elegant touch to this timeless piece. Our high-quality photographic prints are sure to become cherished additions to your collection, allowing you to appreciate the rich history and artistry of this Earthenware Bust of John Wesley from the Royal Cornwall Museum.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > John White

> Europe > United Kingdom > England > Cornwall > Gwennap

> Europe > United Kingdom > England > Cornwall > Mount

> Europe > United Kingdom > England > Cornwall > Related Images

> Europe > United Kingdom > England > Related Images

> Europe > United Kingdom > England > Staffordshire > Related Images

> Europe > United Kingdom > England > Wells

> North America > United States of America > New York > New York > Sights > Times Square

> Royal Cornwall Museum > Museum Objects > Ceramics


EDITORS COMMENTS
This print showcases an exquisite Earthenware Bust of John Wesley, a prominent figure in the non-conformist Methodist movement within the Church of England. The bust, crafted in Staffordshire, England, portrays Wesley wearing a dignified black cassock and a pristine white clerical collar. Resting on a square base adorned with delicate leaf patterns, this remarkable piece stands at 24.5 cm high. John Wesley's profound impact on Cornwall is evident through his numerous visits to the region between 1743 and his passing in 1791 - an impressive total of 33 times. His unconventional practice of preaching outdoors resonated deeply with Cornwall's rural landscape, where many villages were geographically isolated from their parish churches. Notably, large crowds flocked to open-air gatherings like Gwennap Pit to hear Wesley deliver his sermons; he graced this sacred place with his presence eighteen times. The ceramic craftsmanship beautifully captures Wesley's countenance and serves as a testament to his influential role as both preacher and religious leader. This stunning depiction highlights the significance of Methodism within Cornish culture and history

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