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Photographic Print : Sketch cover - The Arm Chair critic, WW1

Sketch cover - The Arm Chair critic, WW1




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Sketch cover - The Arm Chair critic, WW1

Front cover of The Sketch magazine featuring an illustration of an arm-chair critic, one of the satirised stereotypes of the First World War - a club man type who who likes to read the papers, write to the papers and pontificate on what the government and military leaders should be doing about the war - without actually doing anything himself. Date: 1914

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14148746

© Illustrated London News Ltd/Mary Evans

Armchair Complaining Critic Critics Opinion Opinions Papers Pontificate Stereotype Stereotypes


12"x8" Photo Print

Introducing the Media Storehouse range of Photographic Prints featuring this captivating image from Mary Evans Prints Online. This classic illustration, titled "Sketch cover - The Arm Chair critic, WW1," showcases a satirical take on the First World War era, depicting an armchair critic, a popular stereotype of the time - a club man immersed in his papers, oblivious to the world's events unfolding around him. Add a touch of historical charm to your space with this evocative print, a perfect conversation starter and an intriguing addition to any wall. Order now and bring a piece of the past into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This evocative cover image from the inaugural issue of The Sketch magazine in 1914 captures the essence of the 'armchair critic,' a satirical stereotype that emerged during the early stages of the First World War. The armchair critic was a club man, often an opinionated and comfortable member of society, who took great pleasure in reading the papers, writing letters to the editors, and sharing his unsolicited opinions on the war effort. Despite his vocal criticisms, he remained safely ensconced in his armchair, far removed from the front lines and the realities of the conflict. The illustration on this cover masterfully conveys the contrast between the armchair critic's complacency and the chaos and turmoil of the war. The man, dressed in a well-tailored suit and smoking a pipe, sits in an elegant armchair, surrounded by the trappings of his comfortable life. In the background, however, the world is in disarray – explosions rock the horizon, and soldiers in uniforms can be seen running through the streets. The juxtaposition of the tranquil armchair and the chaotic battlefield underscores the disconnect between the armchair critic and the reality of the war. This cover image serves as a powerful reminder of the role of the media in shaping public opinion during times of war. The armchair critic, though often dismissed as a harmless figure, represents the potential for armchair warfare and the dangers of armchair diplomacy. As the world found itself embroiled in the devastating conflict of the First World War, the armchair critic's influence on public discourse and the decision-making process became a topic of great concern for many. This cover image, published in The Sketch magazine in 1914, remains a poignant and thought-provoking commentary on the role of opinionated bystanders in the face of global upheaval.

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