Fine Art Print : Sketch cover - The Arm Chair critic, WW1
Fine Art Prints From Mary Evans Picture Library
Sketch cover - The Arm Chair critic, WW1
Front cover of The Sketch magazine featuring an illustration of an arm-chair critic, one of the satirised stereotypes of the First World War - a club man type who who likes to read the papers, write to the papers and pontificate on what the government and military leaders should be doing about the war - without actually doing anything himself. Date: 1914
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14148746
© Illustrated London News Ltd/Mary Evans
Armchair Complaining Critic Critics Opinion Opinions Papers Pontificate Stereotype Stereotypes
21"x14" (+3" Border) Fine Art Print
Step into the pages of history with our exquisite selection from the Media Storehouse Fine Art Prints range. This captivating illustration, "The Arm Chair Critic, WW1" by Rights Managed from Mary Evans Prints Online, graced the front cover of The Sketch magazine during the First World War. A satirical commentary on the armchair critic, a stereotype of the time, this print invites you to reflect on the past as you adorn your walls with a piece of historical art. Experience the rich details and vibrant colors brought to life in this beautifully preserved print, a must-have for history enthusiasts and art collectors alike.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative cover image from the inaugural issue of The Sketch magazine in 1914 captures the essence of the 'armchair critic,' a satirical stereotype that emerged during the early stages of the First World War. The armchair critic was a club man, often an opinionated and comfortable member of society, who took great pleasure in reading the papers, writing letters to the editors, and sharing his unsolicited opinions on the war effort. Despite his vocal criticisms, he remained safely ensconced in his armchair, far removed from the front lines and the realities of the conflict. The illustration on this cover masterfully conveys the contrast between the armchair critic's complacency and the chaos and turmoil of the war. The man, dressed in a well-tailored suit and smoking a pipe, sits in an elegant armchair, surrounded by the trappings of his comfortable life. In the background, however, the world is in disarray – explosions rock the horizon, and soldiers in uniforms can be seen running through the streets. The juxtaposition of the tranquil armchair and the chaotic battlefield underscores the disconnect between the armchair critic and the reality of the war. This cover image serves as a powerful reminder of the role of the media in shaping public opinion during times of war. The armchair critic, though often dismissed as a harmless figure, represents the potential for armchair warfare and the dangers of armchair diplomacy. As the world found itself embroiled in the devastating conflict of the First World War, the armchair critic's influence on public discourse and the decision-making process became a topic of great concern for many. This cover image, published in The Sketch magazine in 1914, remains a poignant and thought-provoking commentary on the role of opinionated bystanders in the face of global upheaval.
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