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Photographic Print : Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus

Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus




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Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus

GERMANY, 1920s: CARTOON
Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10414374

1921 Celebration Edward Jazz Age Magazine Party Post War Roaring Twenties Simplicissimus Weimar Republic


10"x8" Photo Print

Step back in time and explore the rich history of the Roaring Twenties with our exclusive collection of historical prints from Granger Art on Demand. This captivating cartoon by Eduard Thony, titled "Why do we need costumes, if the women don't wear anything anyhow?" was created in 1921 for the German satirical magazine, Simplicissimus. This thought-provoking image offers a glimpse into the decadence and social commentary of post-World War I Germany. Each print is produced using high-quality materials and vibrant colors to bring the past to life in your home or office. Add this unique piece to your collection and start a conversation about the history and art of the 1920s.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print captures the essence of post-World War I Germany in the 1920s, a time of both celebration and decadence. The cartoon, drawn by Eduard Thony for the satirical German weekly magazine Simplicissimus, offers a thought-provoking commentary on societal norms during this era. Titled "Why do we need costumes if the women don't wear anything anyhow?", this cartoon depicts a scene from an extravagant party in Weimar Republic Germany. The artist skillfully portrays the spirit of the Roaring Twenties, also known as the Jazz Age, where traditional values were challenged and new freedoms emerged. Thony's illustration highlights the contrast between men dressed in elaborate costumes while women appear scantily clad or even nude. This juxtaposition serves as a critique on gender roles and expectations prevalent at that time. It reflects society's evolving attitudes towards sexuality and liberation following years of war. The image not only showcases Thony's artistic talent but also provides valuable insight into the cultural climate of early 20th-century Germany. It invites viewers to reflect upon themes such as excess, hedonism, and social change that characterized this period. As we gaze upon this striking piece of art, it reminds us that history is often best understood through visual representations like cartoons which capture both humor and criticism simultaneously.

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