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Fine Art Print : Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus
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Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus
GERMANY, 1920s: CARTOON
Why do we need costumes, if the women don t wear anything anyhow? : The decadence of post-World War I Germany portrayed by Eduard Thony in a 1921 cartoon drawn for the satirical German weekly magazine, Simplicissimus
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 10414374
1921 Celebration Edward Jazz Age Magazine Party Post War Roaring Twenties Simplicissimus Weimar Republic
20"x16" (+3" Border) Fine Art Print
Step into the roaring twenties with our latest addition to the Media Storehouse Fine Art Prints collection. This provocative and thought-provoking cartoon by Eduard Thony, titled "Why do we need costumes, if the women don't wear anything anyhow?", offers a glimpse into the decadence and social commentary of post-World War I Germany. Originally drawn for the German weekly magazine, Simplicissimus in 1921, this print is a must-have for history buffs, art enthusiasts, and anyone seeking a conversation-starting piece for their home or office. With its rich details and intriguing subject matter, this print is sure to add character and depth to any space. Experience the history and culture of the 1920s through the lens of this iconic work of art.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 49.6cm (16" x 19.5")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of post-World War I Germany in the 1920s, a time of both celebration and decadence. The cartoon, drawn by Eduard Thony for the satirical German weekly magazine Simplicissimus, offers a thought-provoking commentary on societal norms during this era. Titled "Why do we need costumes if the women don't wear anything anyhow?", this cartoon depicts a scene from an extravagant party in Weimar Republic Germany. The artist skillfully portrays the spirit of the Roaring Twenties, also known as the Jazz Age, where traditional values were challenged and new freedoms emerged. Thony's illustration highlights the contrast between men dressed in elaborate costumes while women appear scantily clad or even nude. This juxtaposition serves as a critique on gender roles and expectations prevalent at that time. It reflects society's evolving attitudes towards sexuality and liberation following years of war. The image not only showcases Thony's artistic talent but also provides valuable insight into the cultural climate of early 20th-century Germany. It invites viewers to reflect upon themes such as excess, hedonism, and social change that characterized this period. As we gaze upon this striking piece of art, it reminds us that history is often best understood through visual representations like cartoons which capture both humor and criticism simultaneously.
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