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Photographic Print : Rare pro-Jackson satire, 1832
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Rare pro-Jackson satire, 1832
1576700 Rare pro-Jackson satire, 1832; (add.info.: Old Jack, the famous New Orleans mouser, clearing Uncle Sam's barn of bank and Clay rats A rare pro-Jackson satire on the President's campaign to destroy the political power and influence of the Bank of the United States. It was probably issued late in the presidential campaign of 1832, after Jackson's July veto of the bill to re-charter the Bank.); Universal History Archive/UIG
Media ID 38406730
© Universal History Archive/UIG / Bridgeman Images
1830s Bank Banker New Orleans Presidential Uncle Sam Veto
12"x8" Photo Print
Step back in time with our collection of historical photographic prints, including this rare pro-Jackson satire from 1832. Witness Old Jack, the famous New Orleans mouser, clearing Uncle Sam's barn of bank in this intriguing image captured by Bridgeman Images from Fine Art Finder. Add a touch of history to your space with these unique and captivating prints.
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Estimated Product Size is 30.5cm x 20.3cm (12" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This rare pro-Jackson satire from 1832 captures the political turmoil of the time with a humorous twist. The image, titled "Old Jack, the famous New Orleans mouser, clearing Uncle Sam's barn of bank and Clay rats," depicts President Jackson as a determined cat ridding the barn of his enemies - the bank and Clay rats.
During this period, Jackson was engaged in a fierce campaign to dismantle the Bank of the United States and reduce its influence on American politics. His veto of a bill to re-charter the bank in July 1832 marked a significant moment in his presidency and solidified his reputation as a champion for common people against powerful financial institutions.
The satirical nature of this print reflects both support for Jackson's anti-bank stance and criticism of his opponents, including Henry Clay. It showcases how political cartoons were used as tools to sway public opinion and shape perceptions during election campaigns in the 19th century.
As we look back on this piece of history through Bridgeman Images' lens, we are reminded that humor has always played a role in politics, offering insight into complex issues while entertaining audiences along the way.
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