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Photographic Print : The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)

The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)




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The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)

BAG12153 The Coming of the Messiah & the Destruction of Babylon, c.1832 (oil on canvas) by Colman, Samuel (1780-1845); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973.; English, out of copyright

Media ID 23346348

© Bristol Museums, Galleries & Archives Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973. / Bridgeman Images


10"x8" Photo Print

Experience the powerful and apocalyptic vision of Samuel Colman's masterpiece, "The Coming of the Messiah & the Destruction of Babylon," now available as a stunning photographic print from Media Storehouse. This oil on canvas painting, created in 1832 and currently housed at the Bristol Museum and Art Gallery in the UK, depicts the biblical prophecy of the end times with intricate detail and dramatic intensity. Bring the beauty and depth of this iconic work into your home or office with our high-quality photographic prints, perfect for art enthusiasts and collectors alike.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 25.4cm x 17.8cm (10" x 7")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Samuel Colman

> Fine Art Finder > Artists > Samuel Griffiths Tovey

> Fine Art Finder > Old Testament

> Arts > Artists > C > Samuel Colman

> Europe > United Kingdom > England > Bristol > Bristol

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases Samuel Colman's masterpiece, "The Coming of the Messiah & the Destruction of Babylon" painted in 1832. The oil on canvas painting, housed at Bristol Museum and Art Gallery in the UK, depicts a powerful religious scene from the Old Testament. In this dramatic composition, Colman skillfully captures the anticipation and awe surrounding the arrival of the Messiah as prophesied in biblical texts. The vibrant colors and meticulous attention to detail bring to life an extraordinary moment filled with divine significance. The central focus of the artwork is undoubtedly on Jesus Christ himself, radiating light and surrounded by celestial beings. His presence symbolizes hope, salvation, and redemption for humanity. Meanwhile, below him lies Babylon - a once mighty city now crumbling under God's wrathful judgment. Colman's portrayal not only highlights his technical prowess but also reflects his deep understanding of Christian theology. Through this visual narrative, he invites viewers to contemplate themes such as faith, spirituality, and mankind's eternal quest for meaning. As we gaze upon this remarkable image captured by Bridgeman Images' lens through Fine Art Finder platform, we are reminded of how art can transcend time and space to convey profound messages that resonate across generations. It serves as a testament to both Colman's artistic brilliance and our enduring fascination with religious iconography throughout history.

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