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Fine Art Print : The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)

The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)



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The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)

BAG12153 The Coming of the Messiah & the Destruction of Babylon, c.1832 (oil on canvas) by Colman, Samuel (1780-1845); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973.; English, out of copyright

Media ID 23346348

© Bristol Museums, Galleries & Archives Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973. / Bridgeman Images


20"x16" (+3" Border) Fine Art Print

Experience the powerful and apocalyptic vision of Samuel Colman's masterpiece, "The Coming of the Messiah & the Destruction of Babylon" (BAG12153). This stunning oil on canvas painting, created in 1832, showcases the biblical prophecy of the end times with intricate detail and dramatic intensity. Colman's use of rich colors and bold brushstrokes brings the scene to life, transporting viewers to a world of divine intervention and epic conflict. A must-have for art enthusiasts and those seeking inspiration, this Fine Art Print from Media Storehouse captures the timeless beauty and historical significance of this iconic work, now available for your home or office.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 35.6cm (20" x 14")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Samuel Colman

> Fine Art Finder > Artists > Samuel Griffiths Tovey

> Fine Art Finder > Old Testament

> Arts > Artists > C > Samuel Colman

> Europe > United Kingdom > England > Bristol > Bristol

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases Samuel Colman's masterpiece, "The Coming of the Messiah & the Destruction of Babylon" painted in 1832. The oil on canvas painting, housed at Bristol Museum and Art Gallery in the UK, depicts a powerful religious scene from the Old Testament. In this dramatic composition, Colman skillfully captures the anticipation and awe surrounding the arrival of the Messiah as prophesied in biblical texts. The vibrant colors and meticulous attention to detail bring to life an extraordinary moment filled with divine significance. The central focus of the artwork is undoubtedly on Jesus Christ himself, radiating light and surrounded by celestial beings. His presence symbolizes hope, salvation, and redemption for humanity. Meanwhile, below him lies Babylon - a once mighty city now crumbling under God's wrathful judgment. Colman's portrayal not only highlights his technical prowess but also reflects his deep understanding of Christian theology. Through this visual narrative, he invites viewers to contemplate themes such as faith, spirituality, and mankind's eternal quest for meaning. As we gaze upon this remarkable image captured by Bridgeman Images' lens through Fine Art Finder platform, we are reminded of how art can transcend time and space to convey profound messages that resonate across generations. It serves as a testament to both Colman's artistic brilliance and our enduring fascination with religious iconography throughout history.

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