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Photographic Print : Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour)
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Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour)
659797 Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour) by Boyce, George Price (1826-97); 39.4x52.1 cm; Private Collection; (add.info.: Church and Ancient Uninhabited House at Ludlow. George Price Boyce (1826-1897). Pencil and watercolour. Signed and dated 1871-72. 39.4 x 52.1cm. The watercolour shows the back of the Readers House and the Church of St. Laurences in Ludlow, Shropshire.); Photo eChristies Images; English, out of copyright
Media ID 23011344
© Christie's Images / Bridgeman Images
072012upload 1870s 1871 1872 Abandoned Back Garden Back Yard Be Right Back Bending Bending Forward Bending Forwards British Art Chore Chores Derelict Domestic Life Domestic Scene Domestic Work Domesticity Forward Grounds Home Life Household Household Chore Household Chores Housekeeping Laundering Laundry Leaning Forwards Livelihood Ludlow Negative Concept Pencil Pencil Drawing Religious Building Residence Routine Timber Framed Uninhabited Victorian Pictures Washing Washing Line Water Color Water Colour Ways Working Life 19th Century Painting Boyce Ethnic Origin
10"x8" Photo Print
Bask in the timeless beauty of this exquisite pencil and watercolor artwork, "Church and Ancient Uninhabited House at Ludlow," by George Price Boyce. Captured in 1871-72, this masterpiece transports you to a bygone era with its stunning depiction of a quaint church nestled among the rolling hills and an ancient, uninhabited house. Boyce's expert use of pencil and watercolor creates a captivating contrast between the vibrant greens of the landscape and the weathered, yet elegant, stone structures. Add this breathtaking piece to your home or office to inspire wonder and appreciation for the rich history and charm of the past. Courtesy of Bridgeman Images from Fine Art Finder.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
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Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "Church and Ancient Uninhabited House at Ludlow, 1871-72" by George Price Boyce, transports us back to the enchanting landscapes of nineteenth-century England. In this exquisite pencil and watercolour composition, Boyce skillfully captures the essence of a forgotten era. The focal point of the artwork is the Church of St. Laurences in Ludlow, Shropshire, standing tall amidst its serene surroundings. Its ancient beauty is juxtaposed with an uninhabited house in the background, evoking a sense of nostalgia for a time long gone. The artist's attention to detail is evident in every stroke; from the delicate lines that define architectural features to the subtle shading that brings depth and dimension to each element. As we gaze upon this scene, we are transported into a world where daily life unfolds against a backdrop of natural splendor. A lone female figure can be seen bending forward as she attends to her chores in the churchyard—a poignant reminder of working-class existence during this period. The tranquility of this moment is further enhanced by the soft hues and gentle brushstrokes employed by Boyce. "Church and Ancient Uninhabited House at Ludlow" invites us to contemplate not only its aesthetic appeal but also our connection to history and heritage. It serves as a testament to Boyce's mastery as an artist and his ability to capture both physical structures and intangible emotions within his work. This remarkable piece stands as a testament to British artistry during the Victorian era while offering viewers an opportunity for introspection on themes such as domesticity, architecture, and human occupation within their historical context.
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