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Photographic Print : Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet

Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet




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Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet

XJF404242 Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet, cartoon from Charivari magazine, 19 June, 1865 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: " Why the Devil is that fat red woman in a nightdress called Olympia?" : " My friend, perhaps that is the name of the black cat".; ); French, out of copyright

Media ID 12875415

© www.bridgemanart.com

Criticism Critics Critique Modern Art Puzzled Visitors Wondering


10"x8" Photo Print

Step into the captivating world of 19th-century Paris with our exquisite Media Storehouse Photographic Prints featuring the charming cartoon "Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet" by Daumier, available through Bridgeman Art from Fine Art Finder. This delightful image, taken from Charivari magazine, captures the essence of art appreciation in an era of cultural revolution. Bring this historical moment into your home or office as a stunning conversation starter and a testament to the power of art to inspire and intrigue. Experience the rich history and vibrant colors of this iconic print, perfect for art enthusiasts, history buffs, or anyone seeking to add a touch of timeless elegance to their space.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this black and white lithograph, we are transported back to the Paris salon of 1863, where a family is seen engrossed in a discussion about Édouard Manet's controversial masterpiece, Olympia. The cartoon, originally published in Charivari magazine on June 19th, 1865, captures the essence of the era's art criticism. The scene depicts a group of visitors standing before Manet's provocative painting. A man and woman can be seen engaged in conversation while observing Olympia reclining on her bed. Puzzled expressions adorn their faces as they attempt to decipher the meaning behind this audacious artwork. The caption adds an element of humor to the image as one member of the family questions why a "fat red woman" dressed in nightwear would bear such an illustrious name like Olympia. In response, another suggests that perhaps it refers to the black cat lurking nearby. This caricature not only reflects public sentiment towards modern art during that time but also highlights society's struggle with accepting unconventional artistic representations. It serves as a reminder that even renowned masterpieces faced initial skepticism and sparked heated debates among critics and viewers alike. As we gaze upon this historical print from Daumier's collection held privately today, we are reminded of how art has always been subject to interpretation and debate – its power lying within its ability to evoke emotions and provoke thought for generations to come.

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