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Mouse Mat : Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet
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Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet
XJF404242 Family visiting the Paris salon of 1863 and commenting on the painting Olympia by Manet, cartoon from Charivari magazine, 19 June, 1865 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: " Why the Devil is that fat red woman in a nightdress called Olympia?" : " My friend, perhaps that is the name of the black cat".; ); French, out of copyright
Media ID 12875415
© www.bridgemanart.com
Criticism Critics Critique Modern Art Puzzled Visitors Wondering
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this black and white lithograph, we are transported back to the Paris salon of 1863, where a family is seen engrossed in a discussion about Édouard Manet's controversial masterpiece, Olympia. The cartoon, originally published in Charivari magazine on June 19th, 1865, captures the essence of the era's art criticism. The scene depicts a group of visitors standing before Manet's provocative painting. A man and woman can be seen engaged in conversation while observing Olympia reclining on her bed. Puzzled expressions adorn their faces as they attempt to decipher the meaning behind this audacious artwork. The caption adds an element of humor to the image as one member of the family questions why a "fat red woman" dressed in nightwear would bear such an illustrious name like Olympia. In response, another suggests that perhaps it refers to the black cat lurking nearby. This caricature not only reflects public sentiment towards modern art during that time but also highlights society's struggle with accepting unconventional artistic representations. It serves as a reminder that even renowned masterpieces faced initial skepticism and sparked heated debates among critics and viewers alike. As we gaze upon this historical print from Daumier's collection held privately today, we are reminded of how art has always been subject to interpretation and debate – its power lying within its ability to evoke emotions and provoke thought for generations to come.
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