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Photographic Print : Zechariah gives the name of Saint John the Baptist to his son, (Tempera on wood) 1430

Zechariah gives the name of Saint John the Baptist to his son, (Tempera on wood) 1430




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Zechariah gives the name of Saint John the Baptist to his son, (Tempera on wood) 1430

BAT5468027 Zechariah gives the name of Saint John the Baptist to his son, (Tempera on wood) 1430 by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Media ID 22567738

© Nicolò Orsi Battaglini / Bridgeman Images

Battaglini Saint John The Baptist Tempera On Wood Quattrocento


10"x8" Photo Print

Experience the divine moment of revelation with our exquisite photographic print of "Zechariah gives the name of Saint John the Baptist to his son" by Nicolo Orsi Battaglini, a masterpiece from the 15th century. This stunning Tempera on wood artwork, inspired by Fra Angelico's original piece housed in Florence's Museo di San Marco, captures the profound emotion and spiritual connection between Zechariah and the infant Saint John the Baptist. Bring the beauty and history of this iconic artwork into your home or office, and elevate your space with the timeless allure of fine art.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > A > Fra Angelico

> Arts > Artists > W > John Wood

> Europe > Italy > Florence

> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Fiesole

> Europe > Italy > Tuscany > Florence

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This print captures the profound moment when Zechariah, filled with divine inspiration, bestows the name of Saint John the Baptist upon his newborn son. Painted by Angelico, Fra in 1430, this exquisite tempera on wood masterpiece emanates a sense of holiness and reverence. Set within the Museo di San Marco in Florence, Italy, this artwork showcases the artist's mastery in capturing religious themes during the quattrocento period. The delicate brushstrokes and vibrant colors bring to life Zechariah's devotion as he stands before his family. The image portrays a tender scene of familial love and faith. Zechariah is depicted as an elderly man dressed in traditional robes while cradling his infant son gently. The woman beside him exudes maternal warmth and pride as she gazes at their child with adoration. This painting not only celebrates Saint John the Baptist but also emphasizes the importance of parental guidance and spiritual upbringing. It invites viewers to reflect on their own roles within their families and communities. As we admire this timeless piece of art captured by Nicolo Orsi Battaglini's lens, we are reminded that childhood is a precious stage where foundations for faith are laid. This photograph encapsulates both beauty and spirituality while honoring one of Christianity's most revered figures from centuries past.

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