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Photographic Print : The Captives; Les Captives, c. 1923-25 (oil on canvas)

The Captives; Les Captives, c. 1923-25 (oil on canvas)




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The Captives; Les Captives, c. 1923-25 (oil on canvas)

653172 The Captives; Les Captives, c.1923-25 (oil on canvas) by Pascin, Jules (1885-1930); 55x66 cm; Private Collection; (add.info.: The Captives; Les Captives. Jules Pascin (1885-1930). Oil on canvas. Painted circa 1923-25. 55 x 66cm.); Photo eChristies Images; Bulgarian, out of copyright

Media ID 23294562

© Christie's Images / Bridgeman Images

122011upload 1923 1925 Boredom Bulgarian Artist Captive Captivity Expressionism Expressionist Gray Grey Half Dressed Incarcerated Incarceration Jail Jules Pascin Julius Mordecai Pincas Large Group Modern Art Negative Concept Only Women Partly Dressed Pascin Pose Posed Posing Prison Punish Punishing Reclining Semi Clad Semi Dress Towel Women Only Punishment Semi Nude


10"x8" Photo Print

Experience the captivating allure of 'The Captives' by Jules Pascin, now available as a stunning photographic print from Media Storehouse. This exquisite oil on canvas painting, created around 1923-25, showcases the artist's masterful use of color and brushwork. The mysterious and enchanting depiction of two women, with their enraptured gazes locked upon each other, invites viewers to explore the depths of their story. Bring this timeless work of art into your home or office and elevate your space with its evocative and intriguing presence. Order your photographic print from Media Storehouse today and relish in the beauty of Pascin's masterpiece.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Still life artwork > Oil paintings > Expressionist art

> Arts > Modern art pieces > Expressionism > Art collection

> Arts > Modern art pieces > Expressionism

> Arts > Modern art pieces


The Captives; Les Captives

EDITORS COMMENTS
is a captivating oil painting by Bulgarian artist Jules Pascin, created between 1923 and 1925. The artwork measures 55x66 cm and is currently held in a private collection. In this early twentieth-century masterpiece, Pascin depicts a large group of women who appear to be imprisoned or confined in some way. The somber gray tones and negative concept convey a sense of incarceration and punishment. Some of the women are standing, while others are seated or reclining on towels. Pascin's expressive style, influenced by expressionism, adds depth to the composition as he captures the boredom and resignation on the captives' faces. The semi-nude figures evoke vulnerability and emphasize their captivity. The artist's deliberate choice to portray only women further emphasizes the theme of confinement. Their partly dressed state suggests both physical restraint and psychological imprisonment. Through his skillful use of color, posture, and pose, Pascin invites viewers to contemplate themes such as power dynamics, societal constraints, and personal freedom. "The Captives; Les Captives" stands as an important example of modern art from the early twentieth century. Its thought-provoking imagery continues to resonate with audiences today as it raises questions about individual agency within oppressive systems.

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