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Photographic Print : Plate 505. Bricklaying, 1872-85 (collotype on paper)

Plate 505. Bricklaying, 1872-85 (collotype on paper)




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Plate 505. Bricklaying, 1872-85 (collotype on paper)

3950353 Plate 505. Bricklaying, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.5x34.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 22312322

© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Bricklayer Bricklaying Bricks Build Builder Cement Early Motion Picture Sequence Frames Loincloth Mason Motion Pelvis Cloth Semi Naked Sequence Sequential Stop Motion Trowel B W Photo Black And White Photograph Labourer


10"x8" Photo Print

Discover the rich history of photography with our exquisite selection of Media Storehouse Photographic Prints. This stunning collotype on paper, Plate 505. Bricklaying, 1872-85 by Eadweard Muybridge, showcases the intricate process of bricklaying in a remarkable level of detail. Captured between 1872 and 1885, this timeless image from Bridgeman Images is a testament to the artistic and historical significance of this pioneering photographer. Add this captivating piece to your collection and bring a piece of the past into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 25.4cm x 17.9cm (10" x 7")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This photograph, titled "Plate 505. Bricklaying, 1872-85" captures a moment frozen in time during the early days of motion picture experimentation. Taken by renowned photographer Eadweard Muybridge between 1872 and 1885, this collotype print showcases his groundbreaking work on animal locomotion. Part of Muybridge's iconic series "Animal Locomotion" this particular image is from Volume V dedicated to men's movements. The photo depicts a semi-naked male laborer engaged in the art of bricklaying. With his pelvis clothed in a loincloth, he skillfully handles cement and wields a trowel as he meticulously constructs a wall with bricks. The photograph not only serves as an artistic study but also provides valuable scientific insight into human movement and sequential action. Each frame within the sequence offers viewers an opportunity to observe the fluidity and precision involved in bricklaying. Displayed at the Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this gift from the Edwin J. Beinecke Trust adds depth to their collection of fine art prints. Its presence invites contemplation on craftsmanship, construction techniques, and laborers' contributions throughout history. Muybridge's pioneering approach to photography revolutionized our understanding of motion capture while simultaneously creating visually stunning works that continue to captivate audiences today. This powerful image stands as a testament to both his technical brilliance behind the camera lens and his

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