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Photographic Print : Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism
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Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism
CHT293260 Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism and behaviour towards China and the Ottoman Empire; by Lemot, A (19th century); Private Collection; (add.info.: in 1902 the French Government expelled priests and nuns from France; 1899-1901 the Chinese Boxer rebellion involved persecution of Christians; ); eArchives Charmet; French, out of copyright
Media ID 23178352
© Archives Charmet / Bridgeman Images
Chinaman Equal Rights Equality Hatred Intolerance Oppression
12"x8" Photo Print
Experience the wit and satire of Lemot's Cartoon, CHT293260, from Bridgeman Images' Media Storehouse range of Photographic Prints. This thought-provoking piece, titled "Indicting the Hypocrisy and Double Standards of Western Europe," highlights the complex and often contradictory relationship between Western Europe and China, as well as the Ottoman Empire. Lemot masterfully exposes the hypocrisy in Western European criticism and behavior towards these regions, inviting viewers to reflect on the complexities of historical dynamics. Add this captivating and thought-provoking cartoon to your collection and start a conversation about the intricacies of international relations.
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Estimated Product Size is 20.3cm x 30.5cm (8" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This thought-provoking cartoon print by Lemot, titled "Cartoon indicting the hypocrisy and double standards of Western Europe" sheds light on the complex dynamics between Western Europe, China, and the Ottoman Empire in the 19th century. The artist skillfully captures the essence of this historical period marked by religious intolerance and oppression. The image portrays a male caricature representing Western Europe, adorned with symbols of power and authority. He stands tall, pointing an accusing finger at both China and Turkey, while conveniently ignoring his own faults. This powerful visual critique highlights the hypocrisy prevalent in Western European criticism towards these nations. The context provided adds depth to our understanding of this artwork. In 1902, France expelled priests and nuns from its territory as part of a larger political agenda. Meanwhile, from 1899 to 1901, China experienced the Boxer Rebellion which involved persecution against Christians. Lemot's work challenges us to reflect on equal rights and equality across different cultures and religions throughout history. It serves as a reminder that prejudice knows no boundaries or time periods. As we observe this piece from Bridgeman Images' private collection today, it prompts us to question our own biases and encourages dialogue about religious tolerance in contemporary society.
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