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Metal Print : Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism

Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism



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Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism

CHT293260 Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism and behaviour towards China and the Ottoman Empire; by Lemot, A (19th century); Private Collection; (add.info.: in 1902 the French Government expelled priests and nuns from France; 1899-1901 the Chinese Boxer rebellion involved persecution of Christians; ); eArchives Charmet; French, out of copyright

Media ID 23178352

© Archives Charmet / Bridgeman Images

Chinaman Equal Rights Equality Hatred Intolerance Oppression


16"x24" (61x41cm) Metal Print

Add a bold statement to your home décor with Media Storehouse's Metal Print of the thought-provoking cartoon 'CHT293260' by Lemot from Bridgeman Images. This fine art piece, available through Fine Art Finder, masterfully illustrates the hypocrisy and double standards of Western Europe in their criticism and behavior towards China and the Ottoman Empire. The high-quality metal print not only showcases the intricate details of this captivating cartoon but also adds a modern and sophisticated touch to any room. With its vibrant colors and glossy finish, this Metal Print is sure to spark conversation and add depth to your personal art collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Asia > Turkey > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This thought-provoking cartoon print by Lemot, titled "Cartoon indicting the hypocrisy and double standards of Western Europe" sheds light on the complex dynamics between Western Europe, China, and the Ottoman Empire in the 19th century. The artist skillfully captures the essence of this historical period marked by religious intolerance and oppression. The image portrays a male caricature representing Western Europe, adorned with symbols of power and authority. He stands tall, pointing an accusing finger at both China and Turkey, while conveniently ignoring his own faults. This powerful visual critique highlights the hypocrisy prevalent in Western European criticism towards these nations. The context provided adds depth to our understanding of this artwork. In 1902, France expelled priests and nuns from its territory as part of a larger political agenda. Meanwhile, from 1899 to 1901, China experienced the Boxer Rebellion which involved persecution against Christians. Lemot's work challenges us to reflect on equal rights and equality across different cultures and religions throughout history. It serves as a reminder that prejudice knows no boundaries or time periods. As we observe this piece from Bridgeman Images' private collection today, it prompts us to question our own biases and encourages dialogue about religious tolerance in contemporary society.

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