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Photographic Print : Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco)
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Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco)
3660860 Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna, Italy; (add.info.: Protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph) with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards.
Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the windows, stand the perplexed Apostles, as if standing around the empty tomb in which they have just placed her. In the group of the blessed can be seen: Adam and Eve, Judith with the head of Holofernes. At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother.
Parma, Duomo (the Cathedral of St. Maria Assunta), the dome: " The Assumption of the Virgin", frescoed by Antonio Allegri, known as Correggio (1526 - 1530).
Parma, Duomo (Cattedrale di Sana Maria Assunta), cupola: " Assunzione della Vergine", affrescata tra il 1526 e il 1530 Antonio Allegri, detto il Correggio. Particolare con la Madonna tra Adamo ed Eva.); Ghigo Roli
Media ID 25181512
© Ghigo Roli / Bridgeman Images
1489 1534 1522 1530 Antonio Allegri C Antonio Da Correggio Apostles Aspostles Assumption Assumption Of The Blessed Virgin Mary Cattedrale Di Santa Maria Assunta Correggio Correggio 1489 1534 Emilia Romagna Frescoes Musical Angels Parma Protector Saints Vault Apostle
12"x8" Photo Print
Discover the captivating beauty of art history with Media Storehouse's Photographic Prints. This exquisite image showcases a detailed view of Correggio's masterpiece, "Virgin between Adam and Eve," from the Duomo in Parma, Italy. Dating back to 1526-30, this iconic fresco by the renowned artist Antonio Allegri, also known as Correggio, depicts the Virgin Mary gracefully positioned between the first man and woman. Bring the timeless allure of this artistic marvel into your home or office with our high-quality, museum-grade photographic prints. Experience the rich history and intricate details of this masterpiece like never before.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 30.5cm x 20.3cm (12" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Correggio's fresco, "Virgin between Adam and Eve". Located in the Duomo, Cattedrale di Santa Maria Assunta in Parma, Italy, this masterpiece is a testament to the artist's skill and creativity. In this particular section of the fresco, we are presented with an array of symbolic figures surrounding the central image of the Virgin Mary. The four protector saints of Parma - St. John the Baptist, St. Hilary, St. Thomas (or Joseph), and St. Bernard - stand below her feet with expressions of awe and reverence. The uncorrupt Virgin herself is depicted wearing vibrant red and blue robes as she is lifted upwards by a swirling vortex of singing angels. This celestial scene evokes a sense of divine beauty and grace. Adding to the complexity of this composition are several other notable figures such as Adam and Eve, Judith holding Holofernes' head, and even perplexed Apostles standing around an empty tomb. At the heart of it all lies Jesus Christ himself – beardless yet powerful – descending to meet his mother at the center of the dome. Correggio's mastery shines through every brushstroke in this stunning fresco that adorns Parma's cathedral dome. It serves as a visual feast for art enthusiasts who appreciate both religious symbolism and artistic brilliance.
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