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Metal Print : Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco)
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Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco)
3660860 Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna, Italy; (add.info.: Protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph) with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards.
Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the windows, stand the perplexed Apostles, as if standing around the empty tomb in which they have just placed her. In the group of the blessed can be seen: Adam and Eve, Judith with the head of Holofernes. At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother.
Parma, Duomo (the Cathedral of St. Maria Assunta), the dome: " The Assumption of the Virgin", frescoed by Antonio Allegri, known as Correggio (1526 - 1530).
Parma, Duomo (Cattedrale di Sana Maria Assunta), cupola: " Assunzione della Vergine", affrescata tra il 1526 e il 1530 Antonio Allegri, detto il Correggio. Particolare con la Madonna tra Adamo ed Eva.); Ghigo Roli
Media ID 25181512
© Ghigo Roli / Bridgeman Images
1489 1534 1522 1530 Antonio Allegri C Antonio Da Correggio Apostles Aspostles Assumption Assumption Of The Blessed Virgin Mary Cattedrale Di Santa Maria Assunta Correggio Correggio 1489 1534 Emilia Romagna Frescoes Musical Angels Parma Protector Saints Vault Apostle
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features a captivating detail from Correggio's masterpiece, "Virgin between Adam and Eve," created between 1526-30. Originally housed in the Duomo, Cattedrale di Santa Maria Assunta in Parma, Italy, this 16th-century fresco by the renowned artist Antonio Allegri (Correggio) comes to life in vibrant, high-definition detail on a sleek, durable metal print. Experience the rich colors and textures as if you were standing before the original work of art. Elevate your space with this stunning addition to your decor and relish in the enduring allure of fine art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Correggio's fresco, "Virgin between Adam and Eve". Located in the Duomo, Cattedrale di Santa Maria Assunta in Parma, Italy, this masterpiece is a testament to the artist's skill and creativity. In this particular section of the fresco, we are presented with an array of symbolic figures surrounding the central image of the Virgin Mary. The four protector saints of Parma - St. John the Baptist, St. Hilary, St. Thomas (or Joseph), and St. Bernard - stand below her feet with expressions of awe and reverence. The uncorrupt Virgin herself is depicted wearing vibrant red and blue robes as she is lifted upwards by a swirling vortex of singing angels. This celestial scene evokes a sense of divine beauty and grace. Adding to the complexity of this composition are several other notable figures such as Adam and Eve, Judith holding Holofernes' head, and even perplexed Apostles standing around an empty tomb. At the heart of it all lies Jesus Christ himself – beardless yet powerful – descending to meet his mother at the center of the dome. Correggio's mastery shines through every brushstroke in this stunning fresco that adorns Parma's cathedral dome. It serves as a visual feast for art enthusiasts who appreciate both religious symbolism and artistic brilliance.
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