Photo Mug : Economy, Cruikshank, George, 1792-1878, artist, London, engraving 1816, Brougham
Home Decor from Liszt Collection
Economy, Cruikshank, George, 1792-1878, artist, London, engraving 1816, Brougham
Economy, Cruikshank, George, 1792-1878, artist, London, engraving 1816, Brougham, in the guise of John Bull, appears to the Regent, holding up a broom which points towards a small scene surrounded by clouds. The Regent, who has been revelling over a large bowl of punch, falls back terrified, overturning his chair. Brougham, arm extended towards the Regent, declaims: Retrench, Retrench, reflect on the distressed state of your country. The Regent falls on to McMahon, a tiny figure on hands and knees, gazing up at Brougham; he supports himself with his right hand on the knee of Lady Hertford. The vision above Broughams head is of the Regent and McMahon, both ragged, seated facing each other at a plain wooden table on which are a jar of spring water and a lighted candle end stuck in a bottle. The Regent gnaws a bare bone; McMahon (in miniature) takes up a small fish by the tail
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12810193
© Quint Lox Limited
1792 1816 1878 Appears Back Bare Bone Bottle Bowl Broom Bull Candle Clouds Country Cruikshank Distressed Economy Extended Facing Falls Figure Fish Gazing George Guise Hand Hands Holding John Knee Knees Lady Large Lighted Miniature Nostalgia Nostalgic Old Fashioned Plain Points Punch Ragged Reflect Regent Scene Seated Small Spring State Stuck Supports Surrounded Table Tail Takes Tiny Traditional Vision Water Wooden Brougham Gnaws Hertford Mcmahon Overturning Revelling Terrified
Large Photo Mug (15 oz)
Bring a piece of historical artistry into your daily routine with our Media Storehouse Photo Mugs. Featuring the iconic engraving of George Cruikshank's "Brougham, in the guise of John Bull, appears to the Regent," this mug showcases Economy's 1816 masterpiece from the Liszt Collection. Each mug is expertly printed with high-quality, vibrant images that capture the intricate details of this classic work. Perfect for tea or coffee, these mugs make unique and thoughtful gifts for history enthusiasts and art lovers alike.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
EDITORS COMMENTS
This vintage engraving from 1816 by George Cruikshank depicts a satirical scene of political commentary. In the image, Henry Brougham, disguised as John Bull, confronts the Regent in an attempt to bring attention to the economic distress plaguing the country. Holding up a broom symbolizing sweeping reforms, Brougham's outstretched arm and powerful declaration of "Retrench, Retrench" startle the Regent who is depicted falling back in terror. The Regent is shown reveling over a large bowl of punch before being confronted by Brougham. His chair overturns as he recoils in fear at the sight of impending change. Meanwhile, McMahon - a small figure on hands and knees - gazes up at Brougham with curiosity and perhaps some trepidation. Above Brougham's head hovers a vision depicting both the Regent and McMahon seated at a plain wooden table. The ragged appearance of both figures suggests their impoverished state while they dine on meager provisions: a jar of spring water and a candle end stuck in a bottle for light. The Regent gnaws on a bare bone while McMahon delicately holds onto a small fish by its tail. This engraved image captures not only historical events but also reflects Victorian artistry and illustrative techniques prevalent during that era. Its nostalgic charm transports viewers back to an old-fashioned world where satire was used to critique societal issues such as economic hardship and political corruption.
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