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Photo Mug : Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855
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Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855
Second Class-The Parting. " Thus part we rich in sorrow, parting poor." ; Third Class - The Parting, 1855
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Media ID 20766365
© Heritage Art/Heritage Images
Abraham Solomon Compartment Daughter Luggage Paintings Parting Passenger Passengers Railway Carriage Second Class Train Train Carriage Yale Center For British Art
Large Photo Mug (15 oz)
"Add a touch of nostalgia to your morning routine with our Media Storehouse Photo Mug featuring the poignant image, "Thus part we rich in sorrow, parting poor." (1855) by Abraham Solomon from Heritage Images. This beautiful photograph, titled "Second Class - The Parting," captures the bittersweet moment of farewell. Each sip from this high-quality mug brings you closer to the emotion and story told in this timeless image. Perfect for reminiscing or sharing a moment of connection with a loved one. Embrace the power of a picture to brighten your day.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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Second Class - The Parting - A Glimpse into 19th Century Family Dynamics
EDITORS COMMENTS
. This photo print, titled "Second Class - The Parting" offers a poignant glimpse into the emotional landscape of 19th-century Britain. Painted by Abraham Solomon in 1855, this oil on panel masterpiece captures a tender moment of farewell within the confines of a railway carriage. The scene unfolds as a mother and her two children find themselves reluctantly parting ways with their loved ones. As they prepare to embark on their journey, an overwhelming sense of sorrow permeates the air. Solomon's skillful use of color and composition draws us into this intimate family portrait, where emotions are palpable. In this evocative image, we witness not only the physical separation but also the symbolic division between social classes. Placed in second class accommodations, we see how economic circumstances shape one's experience even during moments of deep personal connection. Solomon masterfully conveys the weightiness of parenthood through his portrayal of maternal love and sacrifice. The mother's face reflects both strength and vulnerability as she bids farewell to her cherished son and daughter. This painting serves as a testament to the universal nature of human emotions across time and place. Displayed at Yale Center for British Art, this artwork invites contemplation about themes such as family bonds, travel experiences, and societal divisions prevalent during that era. It is truly an invaluable piece that speaks volumes about our shared history while reminding us that love knows no boundaries
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