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Canvas Print : Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855
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Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855
Second Class-The Parting. " Thus part we rich in sorrow, parting poor." ; Third Class - The Parting, 1855
Heritage Images features heritage image collections
Media ID 20766365
© Heritage Art/Heritage Images
Abraham Solomon Compartment Daughter Luggage Paintings Parting Passenger Passengers Railway Carriage Second Class Train Train Carriage Yale Center For British Art
20"x16" (51x41cm) Canvas Print
Experience the depth of emotion in this beautiful canvas print from Media Storehouse, featuring the poignant painting "Thus part we rich in sorrow, parting poor." by Abraham Solomon from Heritage Images. Captured in 1855, this powerful image of "Second Class - The Parting" evokes a sense of longing and sadness that transcends time. Bring this exquisite work of art into your home and let it serve as a reminder of the complexities of human emotion. Order now and add a touch of timeless beauty to your decor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Second Class - The Parting - A Glimpse into 19th Century Family Dynamics
EDITORS COMMENTS
. This photo print, titled "Second Class - The Parting" offers a poignant glimpse into the emotional landscape of 19th-century Britain. Painted by Abraham Solomon in 1855, this oil on panel masterpiece captures a tender moment of farewell within the confines of a railway carriage. The scene unfolds as a mother and her two children find themselves reluctantly parting ways with their loved ones. As they prepare to embark on their journey, an overwhelming sense of sorrow permeates the air. Solomon's skillful use of color and composition draws us into this intimate family portrait, where emotions are palpable. In this evocative image, we witness not only the physical separation but also the symbolic division between social classes. Placed in second class accommodations, we see how economic circumstances shape one's experience even during moments of deep personal connection. Solomon masterfully conveys the weightiness of parenthood through his portrayal of maternal love and sacrifice. The mother's face reflects both strength and vulnerability as she bids farewell to her cherished son and daughter. This painting serves as a testament to the universal nature of human emotions across time and place. Displayed at Yale Center for British Art, this artwork invites contemplation about themes such as family bonds, travel experiences, and societal divisions prevalent during that era. It is truly an invaluable piece that speaks volumes about our shared history while reminding us that love knows no boundaries
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